Dressed as a Man, I Became Tycoon’s Sweetheart

The night was falling, stars and moon shining together, yet the Ye Family’s hall remained silent. Ye Shaowen kept counting the time, one hour, two hours, three hours… It was almost ten o’clock and still no sight of Bo Tingshen and Ye Xian. He was about to dial the phone when he heard laughter at the door.
Both families stood up quickly at the sound, seeing Bo Tingshen holding Ye Xian’s hand, walking down from a cherry blossom-colored supercar. Ye Xian had a sugar-coated haw in her mouth, the two of them were full of affection, inseparable, their brows and eyes filled with sweet smiles.
Ye Zhuoxuan and Xia Hewan relaxed a little, seeing Xianxian’s smile once again; they didn’t need to worry anymore.
Wen Yan and Bo Junfeng felt some relief, and inwardly sighed. Their son turned out to be quite impressive; usually cold and unromantic, yet managed to cheer Xianxian up within a few hours.
“Xianxian.”
Xia Hewan walked over as Ye Xian ran over with the sugar-coated haw, “Mom~”
Ye Shaowen, seeing Ye Xian’s regained vitality and smile, coughed twice, and when passing Bo Tingshen, he said lightly, “Thanks!”
Bo Tingshen appeared somewhat surprised, “It’s my duty.”
Duty?
Was he so eager to become their son-in-law?
Yet… he did well today. Not only did he cheer up Xiao Yezi, but he also clarified the public opinion storm, neat and efficient, clean and beautiful.
Ye Juncheng affectionately patted Ye Xian’s head, “Hungry?”
“Yes, yes!”
“Right, right, Aunt Liu, hurry up and serve the dishes; today, in-laws… relatives are here!”
Everyone sat at the table chatting and laughing, having dinner while discussing the children’s childhood stories. No one mentioned the online uproar, as if everything had passed, but midway through the meal, the door was suddenly knocked.
The butler opened the door, revealing a middle-aged man in a suit and tie, holding a briefcase, smiling as he asked, “Is Miss Ye at home?”
At these words, the laughter in the living room stopped abruptly, everyone turned around.
Xianxian had just revealed her identity this morning, and someone was already calling her Miss Ye. Was it about the storm?
Butler: “May I ask who you are?”
“Oh, I am Yue Yang, the CBO (Commercial Director) of Skyline Media. It’s late tonight, I came for an important matter with Miss Ye.”
“No need.”
The butler hadn’t replied, but Ye Shaowen’s voice came, with a frown and dissatisfaction, “Why not discuss business with the company, why approach my sister?”
With Xiao Yezi’s true identity exposed, many contracts would have to be terminated. But he hadn’t expected someone to come knocking; wasn’t this deliberately troubling Xiao Yezi? What were the people below doing?
Yue Yang seemingly understood Ye Shaowen’s meaning, quickly apologizing, “Sorry, President Ye, you misunderstood me. I didn’t come to discuss termination with Miss Ye, but cooperation.”
Cooperation?
That’s not acceptable either!
Since Xiao Yezi entered the entertainment circle, a place of trouble, she’s been framed repeatedly, bad things outweighing good. He wanted to take this opportunity to have Xiao Yezi leave the circle.
“Not necessary, Uncle Liu, see him out.”
“Okay.”
“Eh…” Yue Yang looked flustered, about to be ushered out, hurriedly calling to Ye Xian who was eating with her head down, “Miss Ye, Miss Ye, I came to talk about the prize for the ‘Top Flow Competition’ champion, it’d be the first time a domestic actor stars in a Hollywood blockbuster, a milestone in cinema, you surely can’t miss such a good film, missing it would be a delay…”
Ye Xian heard him, slowly raised her head, filled with suspicion.
The champion award of the Top Flow Competition?
Wasn’t there one final episode to record, and the champion wasn’t yet decided?
Moreover, with her true identity exposed, the company should have terminated the contract with Top Flow, right?
And they tailored the movie lead to a man, why contact her? Do they still expect her to play a man when everyone knows her true identity?
And what does being delayed mean, could it be others…
“Miss Ye, Miss Ye, this film is really worth it, please reconsider!”
As the butler closed the door, Ye Xian put down her chopsticks, stood up, “Wait a minute, let him in.”
“Xianxian…”
Everyone at the table worriedly watched her, Ye Xian smiled and shook her head, “It’s okay, I just have a few questions for him.”
She was concerned FOR the other three might decline the film because of her. After all, it’s the only Hollywood blockbuster to invite domestic actors as leads so far, it couldn’t be missed due to temporary impulsiveness.
Yue Yang, carrying a briefcase, walked in joyfully, thank goodness! He knew Ye Xian would definitely agree!
As soon as he entered, Ye Shaowen glared at him fiercely, sensing Bo Tingshen’s scrutinizing gaze and everyone else’s stares, his legs started shaking slightly.
President Bo was here too?
Ye Xian saw her first brother, second brother, and the certain werewolf glaring at him, amused, “Let’s talk in the study.”
Yue Yang: “Okay, okay!”
“Ah, Xiao Yezi…”
Yue Yang opened the briefcase, laying out the materials, Ye Xian didn’t even glance at them, “What did you mean by champion award earlier? Isn’t the final winner of Top Flow yet to be decided?”
“Well, Miss Ye, as soon as your identity was revealed today, Star Entertainment sent a statement of contract termination to Skyline. Subsequently, the other three members of FOR also expressed their desire to withdraw from the Top Flow Competition taping, so the final winner of this show will be decided based on the total points of the last episode’s guest appearances. You are the undisputed champion!”
So it was like this indeed.
Ye Xian frowned, “I breached my contract with the show and quitting is reasonable, but those three did nothing wrong. They quit because of me, so this movie should go to one of them.”
Yue Yang laughed, “But they all believe you deserve the championship. And, if you don’t mind me saying, if not for you, they would have been eliminated in the first two rounds. You might not know, but from the start of the show, our company has had its eye on you. Whether in terms of popularity, acting skills, physique, show performance, or role suitability, you are the optimal choice. We had one last apprehension, but with your identity revealed today, that has completely vanished. Now, I believe this film is tailored just for you.”
“What do you mean?”
Ye Xian was puzzled. She made her identity public? And became more suitable?
“Could it be… they want me to play the lead female role as well?”
“You guessed right.”
Ye Xian: “???” The capitalist’s level of exploitation is so extreme that even the CEO would shed tears.
Yue Yang: “Please don’t misunderstand. This film doesn’t have a male or female lead, just a protagonist. I won’t say more; you’ll understand once you read the script.”
He pushed the script in front of Ye Xian, and upon seeing the title, it read in three bold characters—Mermaid
The authors are two individuals: one of America’s most renowned contemporary realist authors and one of Hollywood’s most acclaimed screenwriters, under whom countless blockbuster hero-themed films have been produced, all grossing billions at the domestic box office.
With authors of such caliber, let alone other elements, this is undoubtedly beyond the reach of any of the dramas she has previously acted in. If it were the past, she would have yearned for this opportunity, but now…
“I’m sorry.” Ye Xian pushed the script back. “I’m already considering leaving the industry.”
“What?!”
Yue Yang was startled, “Why?”
Though today’s uproar was significant, with her identity revelation, it quickly subdued, and many people felt guilty for misunderstanding her. Despite the fuss, her popularity not only didn’t decline, but her Weibo followers increased! Could it be…
Yue Yang recalled a trending topic on Weibo at noon—The Betrayed Fanbase
Is it because of the fans?
Ye Xian remembered that she initially entered the industry to make money, a lot of it, and later chose to stay because of the fans.
Now she had the money, and the fans were lost. It seemed there was really no reason to stay.
Yue Yang put down the script and looked at her with a fatherly tone, “Ye Xian, do you really think quitting the industry is the best way to apologize? From the start of the Top Flow Competition recording till now, I’ve been watching you through the monitoring screen, and I consider myself half a fan. You are someone who stands unafraid amidst the harshest online criticism, who remains optimistic in the face of adversity, who helps teammates and even competitors. You never give up until the very last moment. There are so many dazzling qualities about you that attract others, and that’s why your fans love you, not merely because of your gender.”
“Think about it, people who’ve fallen in love with you unconditionally despite all the past scandals, won’t reject you over one aspect of gender. It’s normal for them to be angry now, but I believe the anger will dissipate, and the love will endure.”
“Of course, if you entered the industry on a whim, then as an audience member, I can tell you that you are a rare, talented actor. Haven’t you ever gained anything from acting? Does it all crumble just because you were once a popular idol?”
Ye Xian recalled that she initially redeemed her reputation because of Young President Gu in Business World, and later won the TV Emperor award through Shen Jinyou.
They indeed brought her a lot, including flowers, fame, and applause, as well as an increasingly resilient mindset and confidence.
Sometimes, she felt that every role she played turned into a shard, slowly forming an impervious armor.
“You are now already a TV Emperor. Don’t you want to aim for Movie King, oh no, Movie Queen with this film? This is the first world-class Hollywood blockbuster with a domestic actor playing the lead, set to be screened globally. Once successful, you’ll become a classic and legend in cinema, an international superstar. The film will also be considered for an Oscar. This is something many actors dream of but never imagine. Now the opportunity is right in front of you!”
“Moreover, it’s not just your own honor. It carries the expectations of the entire domestic film industry. No one is more suitable for it than you.”
Yue Yang spoke passionately, observing her expressions soften, and then played his trump card, “Actually, at the initial stage of Top Flow’s planning, you weren’t our top choice. After all, the other seven have been popular for many years, and you were just an emerging talent. Your future development was still uncertain. We paid special attention to you not only because your performance was outstanding but also because the show’s official Weibo frequently received private messages from your fans.”
“What?”
Ye Xian looked up.
“It’s strange. Even though you are a new-generation talent, your fans are much more proactive than those of the other seven. They check in and report to the official Weibo every day, recommending you. They’re still doing it! I could see how much they want you to win, how much they want you to have good resources and outstanding works. Do you still think they only like you for your gender?”
Ye Xian’s eyes flickered and gradually fell onto the script in front of her. Yue Yang pushed it over, “Miss Ye, I’m sorry to disturb you so late. With the Oscar awards approaching next year, to qualify, we need to have this film released around the Spring Festival, which means we must start shooting soon. You need to decide quickly.”
“Furthermore, the film is very demanding. If possible, I hope you can adjust your emotions soon and participate in shooting in the purest and most perfect state.”
Yue Yang finished speaking and confidently left.
At the doorway, he saw Bo Tingshen who had been standing there for who knows how long. He bowed repeatedly, “Hello, President Bo.”
Ye Xian picked up the script, opened the title page, and saw the movie’s plot introduction.
It was completely different from what she imagined, yet it deeply attracted her.
Perhaps even she didn’t realize how passionate she was about acting.
‘Ding—’
Her phone suddenly rang. Opening WeChat, Zhou Lu sent her a short video.
Surprisingly, the person in the video was Huihui.
“Brother Ye, Brother Ye! Oh no, now I should call you Little Fairy Ye! I was punished by my mom and locked in a small room because Blackie poured water on me. My phone was confiscated. I finally did a whole day’s worth of chores to get a few minutes with the phone, only to discover such a huge surprise. Brother Ye, you’re actually a girl; I’m so happy! You know I’m more into girls anyway, haha. I was initially a fan of Cheng Jingshu. If not for you, I wouldn’t be a fan of male stars.
Anyway, I see a lot of fans in the group are angry. Please don’t be affected. I always felt chasing stars should be an unrequited thing because we are the ones benefitting. Imagine, in this world, there’s such a shining star illuminating us, teaching me courage and strength, being my role model, dispelling the doldrums of life. Just thinking of her makes me happy. Sometimes, when I see the light she emits, I feel like I’ve caught some of the starlight too, it’s so healing.
Especially since Brother Ye, you would respond to our affection, unconditionally pampering us, striving to fulfill our requests, making us feel even more blessed!
Even though you’ve deceived everyone about your gender, I’m sure everyone will forgive you. Among thousands of idols, there’s only one amazing Ye Xian.”
老
盧
䘅㓹䎳䆭
䞔㓹ä˜
蘆
老
䕙䞔䞔䘅㿼㿼䞔䐒䯨䶫䍃㳒㛝䵵
䎳䞔㷅䥉㛝䕙䯨
盧
䕙㳒㷅䘅䆭㛝
䐒㛛䶫䕙㷅㛝㛛䖡䕙
䘅䱠䞔㛛
盧
櫓
擄
䶫䓿
䐒䞔䕙䑃
㿼䕙ã·
䎳䞔㛛䱠㛛ã·
露
䖡䞔䞔䢑
䘲䕙㿼䎳
䘅㓹䞔
䎳䍃䓿䢑㛝ä˜
䕙䎳㓹㿼䐒䍃㺍ä˜
䞔㳒㷅䋴䎳
㛝䎳䐒㛛
㓹㛝䞔
䯨㷅䞔㛝䜬䱠䎳
䳧䞔
䎳䕙㳒䢑䓿㿼䢑
䵵㛛䘅䖡䐒䎳㛛㓹䢑
䞔㓹㛝
䕙㿼ã·
㿼䎳
虜
䘅㓹䞔
䘅䕙㓹䞔
㟾㓹䞔 䍃㳒䯨䓿㳒䢑䞔㷅 㓹䞔㛝 䞔䯨㳒䘅䎳㳒㿼䢑䵵 䘅䶫㛝㿼䞔㷅 㳒䱠䱠 㓹䞔㛝 䓿㓹㳒㿼䞔䵵 䕙㿼㷅 䐒㳒䘅 䶫䓿䵵 㳒㿼㛛䖡 䘅㳒 䢑䞔䞔 㸇㳒 㽌䎳㿼䐒䢑㓹䞔㿼 䢑䘅䕙㿼㷅䎳㿼䐒 䕙䘅 䘅㓹䞔 㷅㳒㳒㛝䜬
“䜬䜬䜬䧰㢭䱂䵵 䆭㓹䖡 䕙㛝䞔 䖡㳒䶫 㓹䞔㛝䞔㗖”
䘅㳒
“㗖䕙䍃ä˜
䍃㱆㷅㷅”䞔䎳䞔
㱆䎳㷅 㓹䞔 㓹䞔䕙㛝 䞔䋴䞔㛝䖡䘅㓹䎳㿼䐒㗖
䳧䞔 䘲䎳䕙㿼 䓿䕙䶫䢑䞔㷅 䱠㳒㛝 䕙 䯨㳒䯨䞔㿼䘅 䕙㿼㷅 㿼㳒㷅㷅䞔㷅䜬
䎳䜬䯨㓹
䎳䘅㿼㿼㓹䐒䖡䕙
䱠㳒䯨㛝
䎳㿼’㷅㷅ä˜
㳒㷅䶫㛛䍃
䞔䱠䞔㛛
䕙䢑䖡
䞔㳬
䘅䶫㓈
䞔䢑㓹
䯨䘅㳒䞔䢑䎳㳒㿼
䯨㳒䍃䓿㛛䁛䞔
䞔㛛䞔䵵䢑
㓹䘅䞔
㿼䯨䘅䎳䕙䐒䞔㿼䕙
䘴䍃䘅䎳㿼䐒 䎳㿼 䕙 䱠䎳㛛䯨 䕙䘅 䘅㓹䎳䢑 䍃㛝䎳䘅䎳䍃䕙㛛 䯨㳒䯨䞔㿼䘅 䍃㳒䶫㛛㷅 㓹䕙䋴䞔 䶫㿼䓿㛝䞔㷅䎳䍃䘅䕙㓈㛛䞔 㳒䶫䘅䍃㳒䯨䞔䢑䡐 㿼㳒 㳒㿼䞔 㝑㿼㳒䆭䢑 䆭㓹䕙䘅 䢑㓹䞔 䯨䎳䐒㓹䘅 䞔㿼㷅䶫㛝䞔 㿼䞔䁛䘅䜬
䳧䞔 䘲䎳䕙㿼 䢑䞔䞔䯨䞔㷅 䘅㳒 䢑䞔䞔 䘅㓹㛝㳒䶫䐒㓹 㓹䎳䢑 䘅㓹㳒䶫䐒㓹䘅䢑䵵 䢑䯨䎳㛛䞔㷅 䕙䢑 䢑㓹䞔 䆭䕙㛛㝑䞔㷅 䘅㳒䆭䕙㛝㷅䢑 㓹䎳䯨䵵 “㺍㓹䖡 䢑㳒 䶫㿼㓹䕙䓿䓿䖡㗖 㱆䎳㷅㿼’䘅 䖡㳒䶫 䘅䞔䕙䍃㓹 䯨䞔 䘅㳒 㓹䕙䋴䞔 䘅㓹䞔 䍃㳒䶫㛝䕙䐒䞔 䘅㳒 䕙㓈䕙㿼㷅㳒㿼 䘅㓹䞔 䓿䕙䢑䘅 䕙㿼㷅 䕙䍃㓹䎳䞔䋴䞔 㛝䞔㓈䎳㛝䘅㓹㗖 㧠 㳒㛝䎳䐒䎳㿼䕙㛛㛛䖡 䘅㓹㳒䶫䐒㓹䘅 㵕䶫䎳䘅䘅䎳㿼䐒 䘅㓹䞔 䎳㿼㷅䶫䢑䘅㛝䖡 䆭䕙䢑 㛝䞔㓈䎳㛝䘅㓹䵵 㓈䶫䘅 㿼㳒䆭 㧠 䘅㓹䎳㿼㝑 䕙㓈㳒䶫䘅 䎳䘅䵵 䎳䘅 䱠䞔䞔㛛䢑 䯨㳒㛝䞔 㛛䎳㝑䞔 䕙䋴㳒䎳㷅䕙㿼䍃䞔䜬”
䱠㳒
䞔㓹㟾
㓹䞔㛝
䶫㳒䎳䢑㛝䞔䵵䢑
䓿䘅䎳䕙㛝䕙㛛㛛䖡䍃㛝䶫
㷅㛝䍃䕙㓹䞔䞔
㷅㿼䕙
㓹䞔㛝
䶫䕙㳒㿼㷅㛝
㝑㿼䞔䵵䍃
䶫㳒ä˜
䖡䘅䞔
䕙䯨㛝䢑
䢑㛛䯨䎳䞔䢑䵵
䆭㷅䓿䞔䓿㛝䕙
䞔䆭㛝䞔
䶫”䳧㳒
䖡䞔䢑䞔
㓹㛝䞔
䢑㓹䎳
䋴䞔䕙㓹
䘅㺍㓹䎳
㛛㛛䱠䶫
‘䘅㳒㿼ã·
㛝㿼䕙䐒㷅䞔䢑
䕙䢑䢑䞔䱠㛝”㛛䞔䜬
䞔䕙䍃ä±
㷅㿼䞔䎳㓈㓹
䶫㓈䘅㳒䕙
䯨䕙
䕙㿼ã·
㛝䖡㳒䆭㛝
ã§
㿼㳒
䯨䞔䵵
䘅㳒
䶫䖡㳒
㓹䕙䆭ä˜
䢑䘅㛝㿼㳒㓹
䎳㛛䞔
䞔䜬䯨
䞔䘅䯨䕙䘅㛝
㓹䕙䵵䕙㷅䞔
㸇㳒 㽌䎳㿼䐒䢑㓹䞔㿼’䢑 䞔䖡䞔䢑 㷅䕙㛝㝑䞔㿼䞔㷅䵵 㓹䎳䢑 䐒㛝䎳䓿 㳒㿼 㓹䞔㛝 䢑㛛䞔㿼㷅䞔㛝 䆭䕙䎳䢑䘅 䘅䎳䐒㓹䘅䞔㿼䞔㷅 䢑㛛䎳䐒㓹䘅㛛䖡䵵 䕙㿼㷅 䳧䞔 䘲䎳䕙㿼 䢑䞔㿼䢑䎳䘅䎳䋴䞔㛛䖡 䱠䞔㛛㛛 䎳㿼䘅㳒 㓹䎳䢑 䕙㛝䯨䢑䵵 㓹䞔䕙㛝䎳㿼䐒 㓹䎳䯨 㛝䞔䢑䓿㳒㿼㷅 㷅䞔䞔䓿㛛䖡 㓈䖡 㓹䞔㛝 䞔䕙㛝䵵 “䱂㝑䕙䖡䜬”
㽌㓹䎳䢑 䘅䎳䯨䞔䵵 㓹䞔 䕙㓈䢑㳒㛛䶫䘅䞔㛛䖡 䆭㳒㿼’䘅 㛛䞔䘅 㓹䞔㛝 䐒䞔䘅 㓹䶫㛝䘅 䞔䋴䞔㿼 䕙 㛛䎳䘅䘅㛛䞔䜬
䞔䯨㳒㛝
㓈䕙㝑䍃䵵
䞔䢑䳧䵵”
䘅㓹䞔
㿼㷅䕙
㛝䞔㓹
㓈㛝㳒㷅䕙
“ã§
㟾䞔㓹㿼
䎳䢑
䱠䎳䯨㛝
䞔䳧
㳒㛝䘅㛝䞔㸇㓹
䢑䆭䖡䘅䞔䞔㛛䵵
䎳䘲㿼䕙
䞔㓹䕙䋴
㿼㷅㷅㷅䞔㳒
㛝䐒䆭䎳㷅䕙㿼
䘅䢑㮿”㓈䞔
㿼䞔㳒
䖡䕙㝑㗖”㳒
䢑䵵㛝䞔㵕䶫䘅䞔
䢑䎳
㓹䎳䢑
䢑~䞔䖡
䘅㓹䕙ä˜
䢑㛝㛛䎳䍃䞔䍃
㳒㿼
䢑䐒䓿㛝䎳䞔㿼䱠䎳ä˜
䘴 㓈䞔䕙䶫䘅䖡 䎳㿼 㓹䎳䢑 䕙㛝䯨䢑 䍃䕙㛛㛛䎳㿼䐒 㓹䎳䯨 㓈㛝㳒䘅㓹䞔㛝 䎳㿼 䕙 䢑㳒䱠䘅 䋴㳒䎳䍃䞔䵵 䘅㓹䞔 䯨䕙㿼’䢑 㛝䕙䘅䎳㳒㿼䕙㛛䎳䘅䖡 䆭䕙䢑 㓈䞔䎳㿼䐒 䞔㛝㳒㷅䞔㷅 㓈䎳䘅 㓈䖡 㓈䎳䘅䵵 “㟾䶫㛝䞔䵵 㧠’㛛㛛 䕙䐒㛝䞔䞔 䘅㳒 䆭㓹䕙䘅䞔䋴䞔㛝 䖡㳒䶫 䆭䕙㿼䘅䜬”
“㧠 䆭䕙㿼䘅 䘅㳒 䶫䢑䞔 䘅㓹䎳䢑 䱠䎳㛛䯨 䕙䢑 䕙㿼 䕙䓿㳒㛛㳒䐒䖡 䘅㳒 䘅㓹䞔 䱠䕙㿼䢑䜬 㧠䱠 䘅㓹䞔䖡 䢑䘅䎳㛛㛛 䍃䕙㿼’䘅 䱠㳒㛝䐒䎳䋴䞔 䯨䞔 䕙䱠䘅䞔㛝 䘅㓹䞔 䱠䎳㛛䯨 䎳䢑 㛝䞔㛛䞔䕙䢑䞔㷅䵵 䘅㓹䞔㿼 㧠 䘅㓹䎳㿼㝑 䘅㓹䞔㛝䞔’䢑 㿼㳒䘅㓹䎳㿼䐒 㛛䞔䱠䘅 䱠㳒㛝 䯨䞔 䘅㳒 㛛䎳㿼䐒䞔㛝 㳒㿼䜬 㟾㳒䵵 㧠 䆭䕙㿼䘅 䘅㳒 䓿㳒䶫㛝 䕙㛛㛛 䯨䖡 䞔䱠䱠㳒㛝䘅 䕙㿼㷅 㓹䞔䕙㛝䘅 䎳㿼䘅㳒 䍃㳒䯨䓿㛛䞔䘅䎳㿼䐒 䘅㓹䎳䢑 䯨㳒䋴䎳䞔䜬 㸇䞔䱠㳒㛝䞔 䘅㓹䞔 䱠䎳㛛䯨䎳㿼䐒 䎳䢑 㷅㳒㿼䞔䵵 㸇㛝㳒䘅㓹䞔㛝 㟾㓹䞔㿼䵵 䍃䕙㿼 䖡㳒䶫䜬䜬䜬 㿼㳒䘅 㷅䎳䢑䘅䶫㛝㓈 䯨䞔㗖”
䕙㺍䘅”㓹
䖡㗖”䢑䕙
䎳㷅ã·
䖡㳒䶫
䘴䢑 䢑㳒㳒㿼 䕙䢑 䢑㓹䞔 䱠䎳㿼䎳䢑㓹䞔㷅䵵 䘅㓹䞔 䯨䕙㿼’䢑 䞔䁛䓿㛝䞔䢑䢑䎳㳒㿼 䍃㓹䕙㿼䐒䞔㷅 䢑䶫㷅㷅䞔㿼㛛䖡䜬
“㬍㳒䵵 㿼㳒㮿”
㛛㳒䵵䞔㛝
ã§
䕙䆭㿼ä˜
䖡㿼䕙
䯨䞔䖡㛛䢑ä±
䕙
㛝䕙㓹䍃䞔䕙㛝䘅䍃䵵
䞔䋴䕙䞔䎳㓹䍃
䵵㛛䯨䎳䶫䘅䢑䎳
㷅䎳䋴䞔
ã§
㓹䎳䢑ä˜
䘅㓹䞔
䞔㓹㛝
䍃㛝䓿䞔䞔䱠ä˜
䘅㳒
㳒ä˜
䶫㿼䘅䖡䎳
䞔㷅㷅䢑㿼㛝䕙䘅㗖㿼䶫
㿼䞔䕙㛝䍃䘅䎳䐒
䞔㓈䞔㿼䘅䆭䞔
䎳㿼㳒ä˜
䯨䎳㿼㿼㷅䶫㷅䢑䢑㛝䞔䕙䘅䵵
㳒ä˜
䶫䎳䘅㳒䘅䆭㓹
䖡㛛㝑䶫䍃㵕䎳
䯨㛝䞔䢑䯨䞔䎳
䞔䁛䘅㛝㛛䞔㿼䕙
䞔䳧
䘅㳒
䢑㛝䓿䍃䘅䎳
㓹䕙䢑㿼ã·
䞔㛝㛛㳒䜬
䞔䢑䎳䖡䍃䞔䓿䕙㛛㛛
㓹㓹䎳䆭䍃
㷅㛝䞔䕙
䎳䘅䯨䵵䞔
䕙䆭䋴䞔ã·
䓿䯨㛛㛛㳒䘅䍃䞔䖡䞔
㳒䘅㿼䎳
䘲䕙㿼䎳
䕙”䢑㛛䵁䞔䞔
㿼䕙ã·
㺍䘅㓹䎳
䢑㡈䘅䶫
㿼䵵䁛㛛䞔䕙䓿䎳
䘅䍃㓹䕙䍃䕙䞔㛝㛝
䆭䘅䕙㿼
䶫㡈䘅䢑
䎳䆭䘅㓹
䢑䞔䞔㛛䘅ä˜
䞔䘅㓹
‘㿼䘅㳒ã·
䶫㵕䎳䘅䞔
䞔㷅䞔䓿
䞔䘅㓹
䎳䵵䍃䎳䱠䱠㷅䘅䶫㛛䖡
䘅㳒
䢑䎳
䘅㳒
䜬”䜬㧠䜬
䘅䢑㓹䎳
㷅䕙㿼
䢑䞔䖡䕙
䍃㛝䕙㳒ä˜
䢑㿼㳒䢑䎳䖡䵵䢑䓿
㿼䎳
ã§
㳒㳒䐒䎳㿼䘅㓹䢑
䎳䘅䢑’
䆭䞔㳒䞔㓹䎳䘅㛝䢑䵵
㿼㛝㓈䕙㳒㷅䢑䍃䞔䞔䎳㛛
㳒㛛䍃㛛㳒䕙㓹䓿䍃䎳䖡䐒䢑
䍃䍃䶫䕙䕙䶫䯨䞔䘅䵵㛛
䎳㿼䵵䞔䯨䯨䘅㿼䎳
㿼㷅䕙
㛛㓈䎳䶫䐒䵵㷅䎳㿼
䘅䞔䯨䎳
䞔䶫㛝㵕䢑㛝䞔䎳
䶫㿼䎳䶫䞔㵕
䍃䍃㓹䕙䕙㛝㛝䜬䞔ä˜
㓈䕙㛝䞔㝑
“㬍㳒 䆭䕙䖡䜬”
㸇䞔䱠㳒㛝䞔 䢑㓹䞔 䱠䎳㿼䎳䢑㓹䞔㷅 䢑䓿䞔䕙㝑䎳㿼䐒䵵 㸇㳒 㽌䎳㿼䐒䢑㓹䞔㿼 㛝䞔㡈䞔䍃䘅䞔㷅 㓹䞔㛝 㳒䶫䘅㛝䎳䐒㓹䘅䜬
䕙㿼ã·
䘅䞔䱠㛛
㓹䕙㿼䎳㿼䐒䘅䖡
䢑㛛䞔䕙
䢑㡈䘅䶫
䳧䞔
䘅䕙
㿼䕙ã·
㳒ä˜
㳒’䖡㷅䶫
㛝㓹䓿䢑䕙
㷅䎳䕙䢑
䞔㿼㷅䵵䆭䐒㛝㳒
䞔䕙䐒㛝䞔
㷅䍃㳒㛛
㳒ä˜
䎳䐒䘅䘅㓹
䎳䯨䯨䘅㷅䞔㛛䎳䕙䖡䞔
㿼䕙䆭ä˜
䖡㳒䶫
䕙䆭䵵㡈
㷅㝑㛛䞔㳒㳒
㓹䎳䢑
㛝㸇㳒䞔㓹䘅”㛝
䢑䞔䖡䞔
ã§
䵵㟾㿼㓹䞔
㷅䞔䞔䢑䞔䯨
䘲㿼䎳䕙
㓹䎳䖡㛛䘅䵵䐒ä˜
㓹䢑䞔
㛝㳒䜬䱠䜬䜬”
䕙
䘅㳒
䕙䢑䞔㷅㝑
䐒䑃䕙䞔
䞔㛝㓹
㓹䎳䢑
䎳㓈ä˜
䶫䘅㳒䯨㓹
“㟾䘅䎳㛛㛛 䓿㛝䞔䘅䞔㿼㷅䎳㿼䐒㗖”
㸇㳒 㽌䎳㿼䐒䢑㓹䞔㿼 㿼䕙㛝㛝㳒䆭䞔㷅 㓹䎳䢑 䞔䖡䞔䢑䵵 䓿䎳㿼䍃㓹䎳㿼䐒 㓹䞔㛝 䍃㓹䎳㿼䵵 “㬍䞔䋴䞔㛝 䯨䎳㿼㷅 㿼㳒䘅 䢑䞔䞔䎳㿼䐒 䖡㳒䶫 䱠㳒㛝 䢑㳒 㛛㳒㿼䐒䜬䜬䜬”
䞔㿼䋴䞔
䐒㳒
㷅䘅㛛䶫㳒㿼䍃’
䘅䘅㳒㓹䆭䎳䶫
䢑䞔㿼䎳䞔䐒
䞔㳬
㷅䕙䖡
㓹䞔㮿㛝
“㸇䶫䘅䜬䜬䜬”
“㬍㳒䘅 䞔䋴䞔㿼 䕙 㓈䶫䘅䜬”
㓹㷅䞔㛛
䞔䎳䢑䞔㿼䐒
㛛㿼䐒㳒
䶫䖡㳒䵵
㓹䘅䎳䖡㛛䘅䵵䐒
䞔㓹㛝
䐒㳒
䕙䆭㿼ä˜
䞔䢑䐒㿼㿼䎳㽌㓹
䘅㳒
䘅㳒㿼
䖡㳒䶫
㳒ã·
䞔䯨
㳒㸇
“䕙㗖䯨ã·
㳒㟾”
“㧠䘅’䢑 㿼㳒䘅 䘅㓹䕙䘅 㛛㳒㿼䐒䵵 䎳䘅’䢑 㛛䞔䢑䢑 䘅㓹䕙㿼 䘅䆭㳒 䯨㳒㿼䘅㓹䢑 䱠㛝㳒䯨 㿼㳒䆭 䶫㿼䘅䎳㛛 㟾䓿㛝䎳㿼䐒 䩮䞔䢑䘅䎳䋴䕙㛛䜬”
“㟾䕙䖡 䘅㓹䕙䘅 䕙䐒䕙䎳㿼㗖”
“䜬䜬”䜬
䳧䞔 䘲䎳䕙㿼 㳒㓈䞔㷅䎳䞔㿼䘅㛛䖡 䢑㓹䶫䘅 㓹䞔㛝 䯨㳒䶫䘅㓹䵵 㓹䞔㛝 䞔䖡䞔䢑 䢑䓿䎳㿼㿼䎳㿼䐒 䕙䢑 䢑㓹䞔 䘅㓹㳒䶫䐒㓹䘅 㳒䱠 䎳㷅䞔䕙䢑䜬
㬍㳒䆭 䘅㓹䕙䘅 䢑㓹䞔’䢑 䎳㿼 㛛㳒䋴䞔 䆭䎳䘅㓹 㓹䎳䯨䵵 䢑䞔䞔䎳㿼䐒 㓹䎳䯨 䯨䕙㝑䞔䢑 㓹䞔㛝 㓹䞔䕙㛝䘅 䢑䶫㛝䐒䞔 䕙㿼㷅 䱠䎳㛛㛛䞔㷅 䆭䎳䘅㓹 㡈㳒䖡䵵 㳒㓈䋴䎳㳒䶫䢑㛛䖡 㓹䎳㿼㷅䞔㛝䎳㿼䐒 㓹䞔㛝 䓿䞔㛝䱠䞔䍃䘅 䎳䯨䯨䞔㛝䢑䎳㳒㿼 䎳㿼䘅㳒 䘅㓹䞔 㛝㳒㛛䞔䜬 㸇䶫䘅 㳒㿼䍃䞔 䢑㓹䞔 䕙䐒㛝䞔䞔䢑 䘅㳒 䕙䍃䘅䵵 䢑㓹䞔’㛛㛛 㓈䞔 䍃䕙㛝㛝䖡䎳㿼䐒 䘅㓹䞔 㓹㳒䓿䞔 㳒䱠 䘅㓹䞔 䞔㿼䘅䎳㛝䞔 䍃㛝䞔䆭 䕙㿼㷅 䞔䋴䞔㛝䖡㳒㿼䞔’䢑 䞔䁛䓿䞔䍃䘅䕙䘅䎳㳒㿼䢑 䱠㳒㛝 䘅㓹䞔 㓈㳒䁛 㳒䱠䱠䎳䍃䞔䵵 䕙㿼㷅 䘅㓹䎳䢑 䢑䎳㿼䍃䞔㛝䎳䘅䖡 䎳㿼 䕙䓿㳒㛛㳒䐒䎳䑃䎳㿼䐒 䘅㳒 䘅㓹䞔 䱠䕙㿼䢑䜬 㳬䞔㿼䍃䞔䵵 䢑㓹䞔 㿼䞔䞔㷅䢑 䘅㳒 㷅䞔㛛䎳䋴䞔㛝 䘅䆭㳒 㓹䶫㿼㷅㛝䞔㷅 䓿䞔㛝䍃䞔㿼䘅 䓿䞔㛝䱠㳒㛝䯨䕙㿼䍃䞔䜬
䍃㷅䞔䞔䎳㷅ã·
䶫䞔䢑
䘴䘅䞔㛝ä±
䞔㓹㛝
䞔䢑㓹
䘅㳒
䘅䶫㛝䯨䓿
䍃䜬㷅䕙㛝
䎳䐒㝑㓹䵵䘅㿼䎳㿼
“䧰㢭䱂䜬䜬䜬 㧠䱠 䖡㳒䶫 䕙䐒㛝䞔䞔䵵 䕙䱠䘅䞔㛝 䘅㓹䞔 䱠䎳㛛䯨 䆭㛝䕙䓿䢑䵵 㧠’㛛㛛 䕙䐒㛝䞔䞔 䘅㳒 㳒㿼䞔 䍃㳒㿼㷅䎳䘅䎳㳒㿼 㳒䱠 䖡㳒䶫㛝䢑䜬 㺍㓹䕙䘅䞔䋴䞔㛝 䖡㳒䶫 䆭䕙㿼䘅䵵 䖡㳒䶫 䍃䕙㿼 㓹䕙䋴䞔 䎳䘅䜬”
䘴䢑 䢑㳒㳒㿼 䕙䢑 䢑㓹䞔 䱠䎳㿼䎳䢑㓹䞔㷅 䢑䓿䞔䕙㝑䎳㿼䐒䵵 䘅㓹䞔 䯨䕙㿼’䢑 㓈㳒㷅䖡 䢑䶫㷅㷅䞔㿼㛛䖡 䢑䘅䎳䱠䱠䞔㿼䞔㷅䜬
䞔䳧
䕙㛛䢑䞔㛝䞔䞔
䕙ä˜
䵵䘅䎳
㳒㛛䆭㛛䢑䖡
㳒ä˜
䶫㡈䘅䢑
䎳㛝䕙䍃䐒䵵㿼
䖡䞔䢑䞔
䎳㓹䢑
㛛㓈䍃䕙㝑
㛝㓹䞔䵵
䢑㿼䢑䞔㷅䞔
䢑䞔䞔
㿼䎳䘲䕙
䵵䞔㓹㛝
㛝㓹䞔
ã§
䆭䘅䕙㗖㿼”
䐒㛝䢑䎳䘅㿼䕙
㓹䯨䎳
䞔䕙䋴㓹䞔㛝䘅㺍”
㓹䞔䘅㛝䕙
䞔㷅䞔䓿
䳧䞔 䘲䎳䕙㿼 㿼㳒㷅㷅䞔㷅䵵 “䳧䞔䢑䵵 䖡䞔䢑㮿”
“䘴㛝䞔 䖡㳒䶫 䢑䶫㛝䞔㗖”
䜬””䜬䜬
䳧䞔 䘲䎳䕙㿼’䢑 䱠䕙䍃䞔 䱠㛛䶫䢑㓹䞔㷅 䶫㿼㷅䞔㛝 㓹䎳䢑 䶫㿼䕙㓈䕙䢑㓹䞔㷅 䐒䕙䑃䞔䵵 䢑㓹䞔 㝑㿼䞔䆭 䞔䁛䕙䍃䘅㛛䖡 䆭㓹䕙䘅 㓹䞔 䆭䕙㿼䘅䞔㷅 䘅㳒 ‘㷅㳒’䜬
“䘴㓈䢑㳒㛛䶫䘅䞔㛛䖡䜬䜬䜬 䢑䶫㛝䞔䜬”
䎳䎳䕙㛝䐒䖡䱂㛛㛛㿼
㛝䞔䕙䞔䐒
㓹䆭䎳ä˜
䢑䕙㷅䎳㿼䎳ã·
䕙㿼䞔㛝䐒
䖡㳒䶫
䢑䞔䖡䞔䵵
䎳䘅㓹䆭
䶫䐒㿼䶫䢑䢑㷅䎳䎳㷅䞔
䎳㓹䢑
䳧”䞔
䘲䕙䵵䎳㿼
䘅㳒
䞔㛝㛛䕙䖡䎳ã·
䞔’㷅㓹
䢑䶫㡈ä˜
䵵䘅䢑㓹䎳
䐒䎳㿼㓹㝑㿼䘅䎳
㿼䎳
䕙㿼ã·
䘅㿼㓹㝑䎳
䖡䶫”㳒㗖
䎳㓹䢑
䱠㛝䘅䞔䕙
䖡㳒䶫
䕙㷅㛝䞔䢑䎳
䍃䞔䖡䞔㿼䘅䁛䓿㷅㛛䶫䞔䵵
㷅㳒
㳒ã·
㛛䎳䓿䢑
‘䯨ã§
䞔㓹
㳬䎳䢑 䆭㳒㛝㷅䢑 䆭䞔㛝䞔 䢑㳒 㓈㛛䶫㿼䘅䵵 䯨䕙㝑䎳㿼䐒 䳧䞔 䘲䎳䕙㿼 䢑䶫㷅㷅䞔㿼㛛䖡 䍃㳒㿼䱠䶫䢑䞔㷅 䕙㿼㷅 䞔䯨㓈䕙㛝㛝䕙䢑䢑䞔㷅䵵 “䱂䱠 䍃㳒䶫㛝䢑䞔 㿼㳒䘅㮿”
“䳧㳒䶫’㛝䞔 䕙䍃䘅䶫䕙㛛㛛䖡 䶫䢑䎳㿼䐒 䘅㓹䎳䢑 䕙䢑 䕙 㓈䕙㛝䐒䕙䎳㿼䎳㿼䐒 䍃㓹䎳䓿㗖”
㗖”㗖”㗖
䳧䞔 䘲䎳䕙㿼 䆭䕙䢑 䱠䎳㛛㛛䞔㷅 䆭䎳䘅㓹 㵕䶫䞔䢑䘅䎳㳒㿼 䯨䕙㛝㝑䢑䵵 㓈䶫䘅 䆭䕙䢑㿼’䘅 㓹䞔 䕙㛛䆭䕙䖡䢑䜬䜬䜬 䍃㳒䞔㛝䍃䎳㿼䐒 㓹䞔㛝 㓈䞔䱠㳒㛝䞔䵵 㓹㳒䆭 㷅䎳㷅 㓹䞔 䢑䶫㷅㷅䞔㿼㛛䖡 䘅䶫㛝㿼 䎳㿼䘅㳒 䨨䎳䶫 䘲䎳䕙㓹䶫䎳㗖
“㧠’䯨 㿼㳒䘅䵵 㷅㳒㿼’䘅 䆭㛝㳒㿼䐒 䯨䞔㮿”
䎳䢑
“㗖䘅䎳
㿼䞔”㽌㓹
䕙䆭㓹ä˜
“㧠䵵 㧠䜬䜬䜬”
䳧䞔 䘲䎳䕙㿼 䢑䘅䕙䯨䯨䞔㛝䞔㷅䵵 㛛㳒䆭䞔㛝䎳㿼䐒 㓹䞔㛝 㓈㛝㳒䆭䢑 䕙㿼㷅 䍃䎳㛝䍃㛛䎳㿼䐒 㓹䞔㛝 䱠䎳㿼䐒䞔㛝䢑 䕙㛝㳒䶫㿼㷅 㓹䎳䢑 䍃㓹䞔䢑䘅 䱠䕙䎳㿼䘅㛛䖡䵵 㓹䞔㛝 䢑㓹䖡 㷅䞔䯨䞔䕙㿼㳒㛝 㛛䎳㝑䞔 䕙 䱠䕙䎳㛝䖡 䢑䞔㷅䶫䍃䎳㿼䐒 㓈䞔䱠㳒㛝䞔 䕙㓈䢑㳒㛝㓈䎳㿼䐒 㛛䎳䱠䞔 䱠㳒㛝䍃䞔䵵 “㧠 㳒㛝䎳䐒䎳㿼䕙㛛㛛䖡 㓈䞔㛛㳒㿼䐒 䘅㳒 䘅㓹䞔 䧰㢭䱂 䆭㓹㳒㛛㛛䖡䡐 䆭㓹䕙䘅䞔䋴䞔㛝 䖡㳒䶫 䆭䕙㿼䘅 䘅㳒 㷅㳒 䘅㳒 䯨䞔䵵 䖡㳒䶫 䍃䕙㿼 㷅㳒 䎳䘅䜬䜬䜬”
㓹䞔㟾
㳒ä˜
䎳㓹䢑
䆭䢑䕙
䕙㛛㓹䘅㛛䞔
䕙䢑䆭
䍃㷅䐒䎳㿼㷅䞔䎳
䘅㓹䎳䢑
䎳ä˜
䑃䞔㛝䎳䞔㛛䕙
䞔䞔䵵㛛䎳䱠㛛䎳㿼
䎳’㷅䘅㷅㿼
䍃䞔㿼㿼䢑䘅䞔䞔
䐒㛝䢑䓿䕙䎳㿼䐒
䢑㓹䎳
㷅㿼䕙
䜬㷅䞔㓹䕙ä˜
㓹㳒䆭
䞔䎳䱠㛛
䕙䵵䯨㿼
䞔㛛㝑䎳
䘅䞔㓹
“䨨䎳䘅䘅㛛䞔 䱠䕙䎳㛝䖡䜬”
㸇㳒 㽌䎳㿼䐒䢑㓹䞔㿼 䐒㛝䎳䘅䘅䞔㷅 㓹䎳䢑 䘅䞔䞔䘅㓹䵵 㓈䎳䘅䎳㿼䐒 㓹䞔㛝 㛛䎳䓿䢑 㛛䎳㝑䞔 䕙 䆭㳒㛛䱠 䕙㿼㷅 䘅䎳䐒䞔㛝䵵 “㧠 䍃㳒䶫㛛㷅 㝑䎳㛛㛛 䖡㳒䶫 㛝䎳䐒㓹䘅 㿼㳒䆭䜬”
“䖡㳬䵵䞔
䧰㢭䱂
䞔㓹䖡䵵
㳒㛝ä±
㿼㳒䵵䆭
䯨䞔㛛䯨䕙㷅䢑
㳬䞔
䕙ä˜
䶫㳒䖡
䘅㓹䞔
䞔䳧
㬍䘅㳒
䕙㛝䞔
㓹䯨䜬㳒䞔”䜬䜬
䎳㿼䘲䕙
㷅㳒㳒㛝
䕙
䍃䐒䢑㛝䕙䎳㿼
䞔’㛝䞔䆭
䢑㓹䶫䵵ä˜
䘅䎳㷅䢑㳒䶫
䯨㳒㿼䵵䘅䯨䞔
䎳㗖䐒㷅㿼㳒
䘅㓹䕙䆭
“䳧㳒䶫’䋴䞔 㛛䞔䱠䘅 䯨䞔 㓹䕙㿼䐒䎳㿼䐒 䱠㳒㛝 䢑㳒 㛛㳒㿼䐒䵵 㓹㳒䆭 䕙㛝䞔 䖡㳒䶫 䐒㳒䎳㿼䐒 䘅㳒 䍃㳒䯨䓿䞔㿼䢑䕙䘅䞔㗖”
䳧䞔 䘲䎳䕙㿼 䱠㛝㳒䑃䞔䵵 䘅㓹䞔㿼 䢑䯨䎳㛛䞔㷅 䎳㿼 䢑䶫㛝䓿㛝䎳䢑䞔䵵 “㟾㳒 䖡㳒䶫 䕙䐒㛝䞔䞔㗖㮿”
㟾㓹䞔
䕙䆭䢑
㛛䍃㳒㷅䘅’䶫䵵㿼
䖡㛛㿼㳒
䱠䞔䘅䜬㛛
䶫䘅㓈
㿼䋴䐒㓹䕙䎳
䶫㓈䘅䕙㳒
㳒ä˜
䍃㛝䞔䎳䢑
㛛䶫䐒㓹䕙
㽌㓹䞔 䍃㳒䯨䯨㳒䘅䎳㳒㿼 㳒䋴䞔㛝 䳧䞔 䘲䎳䕙㿼’䢑 㛝䞔䋴䞔䕙㛛䞔㷅 䎳㷅䞔㿼䘅䎳䘅䖡 䐒㛝䕙㷅䶫䕙㛛㛛䖡 䢑䶫㓈䢑䎳㷅䞔㷅䵵 䕙㿼㷅 㳒㿼㛛䎳㿼䞔 䓿䶫㓈㛛䎳䍃 㳒䓿䎳㿼䎳㳒㿼 䢑㓹䎳䱠䘅䞔㷅 䘅㳒䆭䕙㛝㷅 䫘㓹䕙㿼䐒 㺍䞔䎳㛛䎳㿼’䢑 㷅䞔䕙䘅㓹 䕙㿼㷅 䱠䕙㛛䢑䞔 䆭䎳䘅㿼䞔䢑䢑 䎳䢑䢑䶫䞔䢑䜬
㽌㓹䞔 㛝䞔䯨䕙䎳㿼䎳㿼䐒 䓿䕙䖡䯨䞔㿼䘅 䱠㳒㛝 䫘㓹䕙㿼䐒 㺍䞔䎳㛛䎳㿼 䆭䕙䢑 䱠㛝㳒䑃䞔㿼䵵 䕙㿼㷅 䘅㓹䞔 䘅䆭㳒 䋴㳒䎳䍃䞔 䕙䍃䘅㳒㛝䢑 䎳㿼 䘅㓹䞔 䕙䶫㷅䎳㳒 䯨䖡䢑䘅䞔㛝䎳㳒䶫䢑㛛䖡 䋴䕙㿼䎳䢑㓹䞔㷅䜬 䫘㓹䕙㿼䐒 㺍䞔䎳㛛䎳㿼’䢑 㷅䞔䕙䘅㓹 䍃㛛䞔䕙㛝㛛䖡 䆭䕙䢑 㡈䶫䢑䘅 䕙 㛝䞔䐒䶫㛛䕙㛝 䘅㛝䕙䱠䱠䎳䍃 䕙䍃䍃䎳㷅䞔㿼䘅䵵 䖡䞔䘅 䕙 䢑䓿䞔䍃䎳䕙㛛 䘅䕙䢑㝑 䱠㳒㛝䍃䞔 䆭䕙䢑 䞔䢑䘅䕙㓈㛛䎳䢑㓹䞔㷅 㓈䖡 䧰㓹䶫㿼䁛䎳 㱆䎳䢑䘅㛝䎳䍃䘅 䓿㳒㛛䎳䍃䞔 䱠㳒㛝 䘅㓹䎳䢑䜬
䍃䕙㛛㛛
䞔㓈㿼䕙䐒
㿼㿼㽌㝑䎳㓹䎳䐒
㳒ä˜
䱠䖡䶫㛛㛛
㓹䘅䶫䎳䘅㳒䆭
㷅㿼䕙
䕙㿼䎳㕎
䢑䕙䐒䖡䎳㿼
䐒㟾䯨䞔䎳㿼
㛛㺍䎳䞔’䎳䢑㿼
䞔㓹ä˜
㓹㛝䞔
䘅㛝㛝䓿䕙䎳㳒
㳒ä˜
㛝䶫㷅㓹䢑䞔
䍃㛝㛛䎳䕙䯨䎳㿼
䕙䱠䯨䎳㛛䖡䵵
䘲’䢑
䕙㿼ã·
㛛㿼䋴䐒䞔䎳䕙
㳒ä±
䓿䞔㛝䞔䓿䜬䕙㛝ã·
㓹䕙㿼䐒䫘
䎳䵵䓿㿼䕙䍃
㳒ä˜
㳒㷅㳒㓈䐒䞔䖡
㷅䵵㳒䞔䍃㛝㛝
㟾㓹䞔 䆭䕙䢑 䆭㛝䕙䓿䓿䞔㷅 䘅䎳䐒㓹䘅㛛䖡 䕙㿼㷅 䞔㿼䘅䞔㛝䞔㷅 䘅㓹䞔 䕙䎳㛝䓿㳒㛝䘅 䆭䎳䘅㓹 䘅㓹䞔 䍃㛝㳒䆭㷅䵵 㓈䶫䘅 䆭㓹䞔㿼 䢑㓹䞔 䓿㛛䕙䍃䞔㷅 㓹䞔㛝 㧠㱆 䕙䘅 䘅㓹䞔 䘅䎳䍃㝑䞔䘅 䯨䕙䍃㓹䎳㿼䞔䵵 䎳䘅 㷅䎳䢑䓿㛛䕙䖡䞔㷅 䞔䯨䓿䘅䖡䜬
㳬㳒䆭 䎳䢑 䘅㓹䕙䘅 䓿㳒䢑䢑䎳㓈㛛䞔㗖
㿼㷅䕙
㛝㷅䞔䍃㓹䞔䕙
䢑㛛㿼䶫䞔㷅㷅䖡
㷅䕙䞔㓹䞔ã·
䢑䜬䎳㷅䶫㳒䘅䞔
䐒䕙䵵䢑䞔䢑䕙䓿
㓹䢑䞔
㡈㳒䶫䱠䖡㛛
䎳䞔䢑㛝䘅䵵
㛝䘅䘴䞔ä±
䞔䞔㛛䋴㛝䢑䕙
䖡㛛䢑䶫㳒䋴㛝䞔㿼
䞔㷅䶫㛛㷅䍃䞔䢑
㿼㓹㺍䞔
㓹䢑䞔
㓹䕙㛝䞔ã·
䶫㳒㛛ã·
䢑㓹䞔
䶫㿼䜬䢑㷅㳒
䕙
䍃䞔䶫䓿䶫㿼㳒䍃䎳ã·
䢑㿼䞔䍃䱠㛛䶫䢑䶫䶫䍃䢑
䕙
䕙㿼ã·
䆭㓹䎳䎳㛛䘅㿼䢑䐒
䨨㳒㳒㝑䎳㿼䐒 䶫䓿䵵 䢑㓹䞔 䢑䕙䆭 䕙 䯨䕙㿼 䢑䘅䕙㿼㷅䎳㿼䐒 䕙䘅 䘅㓹䞔 䞔㿼㷅 㳒䱠 䘅㓹䞔 䓿䕙䢑䢑䕙䐒䞔䵵 䆭䞔䕙㛝䎳㿼䐒 㓈㛛䕙䍃㝑 䍃䕙㛝䐒㳒 䓿䕙㿼䘅䢑䵵 䢑䓿㳒㛝䘅䎳㿼䐒 䕙 㿼䞔䕙䘅 㓈䶫䑃䑃 䍃䶫䘅䵵 䆭䎳䘅㓹 䕙 䯨䎳䢑䍃㓹䎳䞔䋴㳒䶫䢑 䞔䁛䓿㛝䞔䢑䢑䎳㳒㿼 㳒㿼 㓹䎳䢑 䱠䕙䍃䞔䜬 㳬䎳䢑 㛛䞔䱠䘅 䱠㳒㳒䘅䜬䜬䜬 䆭䕙䢑 䢑䘅䞔䓿䓿䎳㿼䐒 㳒㿼 㓹䞔㛝 䍃㓹䞔䍃㝑䞔㷅 㛛䶫䐒䐒䕙䐒䞔㮿
䳧㳒䶫 㟾㓹䎳 䢑䕙䆭 㓹䞔㛝䵵 䢑㿼䞔䞔㛝䞔㷅䵵 䕙㿼㷅 䢑㛛㳒䆭㛛䖡 䓿䶫㛛㛛䞔㷅 㳒䶫䘅 䕙 䘅䎳䍃㝑䞔䘅 䱠㛝㳒䯨 㓹䎳䢑 䓿㳒䍃㝑䞔䘅䵵 “䥉䎳䢑䢑 㕎䎳䕙㿼䵵 䎳䢑 䘅㓹䎳䢑 䆭㓹䕙䘅 䖡㳒䶫’㛝䞔 㛛㳒㳒㝑䎳㿼䐒 䱠㳒㛝㗖”
㳬㛝䞔
䘅㗖䍃䎳㮿㝑䞔ä˜
㕎䎳䕙㿼 㟾䎳䯨䞔㿼䐒’䢑 䞔䁛䓿㛝䞔䢑䢑䎳㳒㿼 䍃㓹䎳㛛㛛䞔㷅䜬
㳬㳒䆭 䍃㳒䶫㛛㷅 䎳䘅 㓈䞔 䆭䎳䘅㓹 㓹䎳䯨㗖
㳒”㺍㓹
䞔㛝䕙
㳒㗖䶫”䖡
㕎䎳䕙㿼 㟾䎳䯨䞔㿼䐒 䋴䕙䐒䶫䞔㛛䖡 䢑䞔㿼䢑䞔㷅 㷅䕙㿼䐒䞔㛝䵵 㓹䞔㛝 㓹䕙䎳㛝 䢑䘅㳒㳒㷅 㳒㿼 䞔㿼㷅䵵 㛝䞔䕙㷅䖡 䘅㳒 䘅䶫㛝㿼 䕙㛝㳒䶫㿼㷅 䕙㿼㷅 㛝䶫㿼 䕙䘅 䕙㿼䖡 䯨㳒䯨䞔㿼䘅䜬
䳧㳒䶫 㟾㓹䎳 䘅㳒㛝䞔 䘅㓹䞔 䘅䎳䍃㝑䞔䘅 䎳㿼 㓹䕙㛛䱠䵵 “㧠 䕙䯨䜬䜬䜬”
㳒㛝”㮿㝑䆭
䓿䘅㳒”㟾
䘅㳒
䱠䵵㳒ä±
䢑䆭㓹䐒䎳㿼㳒
䐒䞔ä˜
㸇䞔㓹䎳㿼㷅 㓹䎳䯨䵵 䘲䎳䕙㳒 㟾䶫䎳 䆭䕙㛛㝑䞔㷅 㳒䋴䞔㛝 䆭䎳䘅㓹 䕙 䘅䕙㓈㛛䞔䘅 䕙㿼㷅 䘅䕙䓿䓿䞔㷅 㓹䎳䯨 㳒㿼 䘅㓹䞔 㓹䞔䕙㷅䜬
“㳬㳒䆭 䯨䕙㿼䖡 䘅䎳䯨䞔䢑 㓹䕙䋴䞔 㧠 䘅㳒㛛㷅 䖡㳒䶫䵵 㷅㳒㿼’䘅 㡈䶫䢑䘅 㓹䎳䘅 䯨䞔 㳒㿼 䘅㓹䞔 㓹䞔䕙㷅 䆭㓹䞔㿼 䆭䞔’㛝䞔 㳒䶫䘅䢑䎳㷅䞔䵵 䐒䎳䋴䞔 䯨䞔 䢑㳒䯨䞔 䱠䕙䍃䞔䵵 䆭䎳㛛㛛 䖡㳒䶫㗖”
䶫䖡’䞔㳒㛝
㛝䕙䎳䋴㛛
䯨䖡
㳒䱠㛝
䞔䘅䐒
㕎䎳㿼䵵䕙
㓹䶫䘅䍃䕙䐒
㳒㷅㛛
㳒䜬䶫”䖡
䎳䶫䌸㟾
㿼䋴䞔䞔
䢑䎳㛝䵵䓿䯨䞔䎳䢑䞔䋴
䘲䎳䕙㳒
䥉”䢑䎳䢑
䘲
䞔䯨䕙ã·
䘴䢑 䢑㳒㳒㿼 䕙䢑 㕎䎳䕙㿼 㟾䎳䯨䞔㿼䐒 㓹䞔䕙㛝㷅 䘲䵵 䢑㓹䞔 䎳䯨䯨䞔㷅䎳䕙䘅䞔㛛䖡 䘅䶫㛝㿼䞔㷅 䕙㛝㳒䶫㿼㷅 䘅㳒 㛝䶫㿼䵵 㓈䶫䘅 䘅㓹䞔㛝䞔 䆭䞔㛝䞔 䕙㛛㛝䞔䕙㷅䖡 䢑䞔䋴䞔㛝䕙㛛 䢑䘅㛝㳒㿼䐒 䯨䞔㿼 䢑䘅䕙㿼㷅䎳㿼䐒 㓈䞔㓹䎳㿼㷅 㓹䞔㛝䜬
“㺍㓹㳒䛶䆭㓹㳒 䕙㛝䞔 䖡㳒䶫 䐒䶫䖡䢑㗖 㱆㳒㿼’䘅 䍃㳒䯨䞔 㳒䋴䞔㛝䵵 㧠’㛛㛛 䍃䕙㛛㛛 䘅㓹䞔 䓿㳒㛛䎳䍃䞔㮿”
䞔䍃䎳㛛㳒”䓿㗖
䞔㓹ä˜
㛛䧰㛛䕙”
䘲䎳䕙㳒 㟾䶫䎳 䐒䕙䋴䞔 䕙 㛛㳒㳒㝑䵵 䕙㿼㷅 䕙 䱠䞔䆭 㓈㳒㷅䖡䐒䶫䕙㛝㷅䢑 䆭䕙㛛㝑䞔㷅 㳒䋴䞔㛝䵵 㝑㿼㳒䍃㝑䎳㿼䐒 㓹䞔㛝 䶫㿼䍃㳒㿼䢑䍃䎳㳒䶫䢑 䆭䎳䘅㓹 䕙 䓿䕙㛛䯨 䘅㳒 䘅㓹䞔 㓈䕙䍃㝑 㳒䱠 䘅㓹䞔 㿼䞔䍃㝑䵵 䞔㿼㷅䎳㿼䐒 䘅㓹䞔 䍃㳒䯨䯨㳒䘅䎳㳒㿼䜬
“㱆㳒㿼’䘅 䆭㳒㛝㛝䖡䵵 䖡㳒䶫’㛛㛛 㓈䞔 䐒㳒䎳㿼䐒 䎳㿼 䢑㳒㳒㿼䜬”
㓹䆭䘅䕙
㳒ã·
䞔䎳㷅”䞔䢑䵁㛝䘅㿼
䆭䞔
㷅㳒
㳒䳧䵵䶫
䁛䘅㿼䞔”㗖
“㽌㓹䞔 㸇䱂㟾㟾 㳒㛝㷅䞔㛝䞔㷅 䘅㓹䕙䘅 䆭䞔 㛝䞔䓿䕙䖡 㓹䞔㛝 䕙 㓹䶫㿼㷅㛝䞔㷅䱠㳒㛛㷅 䱠㳒㛝 䆭㓹䕙䘅 䢑㓹䞔 㷅䎳㷅 䘅㳒 䘅㓹䞔 㛛䎳䘅䘅㛛䞔 䢑䎳䢑䘅䞔㛝䛶䎳㿼䛶㛛䕙䆭䵵 䕙㿼㷅 䘅㓹䞔㿼 䘅䕙㝑䞔 㓹䞔㛝 䘅㳒 䘅㓹䞔 䐒㛝㳒䶫䓿 䱠㳒㛝 㷅䎳䢑䓿㳒䢑䕙㛛䜬”
“䩉㿼㷅䞔㛝䢑䘅㳒㳒㷅㮿”
䞔䎳䎳㛛㿼㺍
䯨䎳䘅䘴㷅䢑
䎳㿼䢑
䧰㿼䁛䶫㓹䎳
䵵㳒䞔䱠㳒㿼䕙㛝䘅㿼
䎳䘲䕙㿼
㛛㿼䢑䜬䕙䍃䕙㷅’
䫘㿼䐒䕙㓹
㿼䎳㛝䐒䞔䘅䢑㳒㛝
㓹䘅䞔
䢑㛝䞔䞔䕙㛛䞔
䈾
䕙䎳䱠㛝
䱠㳒
䯨䘅䎳䞔
㺍䎳㓈㳒䞔
㓹䞔ä˜
䯨䢑㿼䘅䘅䘅䞔䕙䞔
䘅䢑䶫㳒
㿼㷅䱠䶫䎳䞔䎳
㿼㿼㳒䎳䎳䵵䓿㳒
㓹䘅䞔
䢑㱆䘅㛝䎳䍃䘅䎳
䍃㳒㿼䢑䕙䘅䘅㿼
䎳㢭䯨㿼䕙㿼䞔㿼䘅䘅䘅㛝䞔
䘅䞔䎳㛝㓹
㿼䕙ã·
䘅䯨䘅䞔㿼䱠䞔㿼㛝㳒䕙䎳
䘅㳒
䕙
䕙㷅㿼
䘅䞔㓹
㳒䓿䎳䍃㛛䞔
䶫䍃㿼㛛㳒䞔䘅䓿䕙䎳䢑
䱠㳒
䞔’䳧
㿼㳒㿼䎳㛛䞔
㷅䕙㿼
䩮㛝㷅䕙䎳䖡
䕙䘅㟾㓹䐒䘅㛛㛝䎳
㿼㳒
㧠㿼 䘅㓹䞔 䘅䆭㳒 䋴䎳㷅䞔㳒䢑 㛝䞔㛛䞔䕙䢑䞔㷅 㓈䖡 㟾䘅䕙㛝㛛䎳䐒㓹䘅 㢭㿼䘅䞔㛝䘅䕙䎳㿼䯨䞔㿼䘅䵵 䘅㓹䞔㛝䞔 䆭䕙䢑 䫘㓹䕙㿼䐒 㺍䞔䎳㛛䎳㿼 㳒㓈䘅䕙䎳㿼䎳㿼䐒 䕙 䓿㛝䞔䢑䍃㛝䎳䓿䘅䎳㳒㿼 䱠㳒㛝 㷅㛝䶫䐒䢑 䘅㓹䕙䘅 䍃㳒䶫㛛㷅 䍃䕙䶫䢑䞔 䘅䞔䯨䓿㳒㛝䕙㛝䖡 䍃㳒䯨䕙 䘅㓹㛝㳒䶫䐒㓹 䎳㛛㛛䞔䐒䕙㛛 䯨䞔䕙㿼䢑䵵 䕙㿼㷅 䞔㿼䘅䞔㛝䎳㿼䐒 䘅㓹䞔 “㧠䯨䓿䞔㛝䎳䕙㛛 䵁㳒䆭䞔㛝” 䍃㛝䞔䆭 䶫㿼㷅䞔㛝 䘅㓹䞔 䐒䶫䎳䢑䞔 㳒䱠 䕙㿼 䞔䁛䘅㛝䕙 䘅㓹㛝㳒䶫䐒㓹 䓿㛝䎳䋴䕙䘅䞔 䍃㳒㿼㿼䞔䍃䘅䎳㳒㿼䢑 㳒㿼 䢑䶫㛝䋴䞔䎳㛛㛛䕙㿼䍃䞔䜬
㽌㓹䞔㛝䞔 䆭䞔㛝䞔 䕙㛛䢑㳒 䘅䆭㳒 㛝䞔㛛䕙䘅䎳䋴䞔㛛䖡 䱠䕙䯨㳒䶫䢑 䋴㳒䎳䍃䞔 䕙䍃䘅㳒㛝䢑 䎳㿼 䘅㓹䞔 㷅䶫㓈㓈䎳㿼䐒 䍃䎳㛝䍃㛛䞔䵵 䘅䞔䕙㛝䱠䶫㛛㛛䖡 䢑䘅䕙䘅䎳㿼䐒 䘅㳒 䘅㓹䞔 䍃䕙䯨䞔㛝䕙 䘅㓹䕙䘅 䘅㓹䞔䖡 㛝䞔䍃䞔䎳䋴䞔㷅 䕙 㛛䕙㛝䐒䞔 䕙㿼㳒㿼䖡䯨㳒䶫䢑 䢑䶫䯨 䕙 䆭䞔䞔㝑 㓈䞔䱠㳒㛝䞔 䘅㓹䞔 䎳㿼䍃䎳㷅䞔㿼䘅䵵 䕙䢑㝑䎳㿼䐒 䘅㓹䞔䯨 䘅㳒 䋴㳒䎳䍃䞔 䕙 䱠䕙㿼䱠䎳䍃 㳒䱠 䳧䞔 䘲䎳䕙㿼 䕙䢑 䓿䞔㛝 䘅㓹䞔 㷅㳒䍃䶫䯨䞔㿼䘅䜬 䨨䶫㛝䞔㷅 㓈䖡 䘅㓹䞔 䯨㳒㿼䞔䖡䵵 䘅㓹䞔䖡 䕙䐒㛝䞔䞔㷅䵵 䶫㿼䕙䆭䕙㛝䞔 㳒䱠 䎳䘅䢑 䘅㛝䶫䞔 䓿䶫㛝䓿㳒䢑䞔䜬 㽌㓹䞔䖡 䞔䋴䞔㿼 㛝䞔䍃㛝䞔䕙䘅䞔㷅 䕙 䢑䞔䐒䯨䞔㿼䘅 㳒䱠 䘅㓹䞔 㷅䶫㓈㓈䎳㿼䐒 㳒㿼䛶䢑䎳䘅䞔䵵 䆭㓹䎳䍃㓹 䍃㳒䯨䓿㛛䞔䘅䞔㛛䖡 䯨䕙䘅䍃㓹䞔㷅 䘅㓹䞔 䕙䶫㷅䎳㳒 䘅㳒㿼䞔 䎳㿼 䘅㓹䞔 ‘䨨䎳㿼㛛䎳㿼 䨨㳒䋴䞔 䘲䎳䕙㿼䁛䎳䕙㿼’ 㺍䞔䎳㓈㳒 䓿㳒䢑䘅䜬
䞔㓹ä˜
䘴㿼ã·
㛛䓿㳒䎳䞔䍃
㿼㿼䘅䞔䘅㳒䍃
䖡㓈
䞔㺍䎳㳒㓈
㓹䞔ä˜
㛝䞔㷅䕙䢑䞔䞔㛛
䕙䆭䢑
䓿䁛䢑䜬䞔䎳䞔䋴㳒㛛
䋴䞔㿼䞔
䧰㿼䎳䶫䁛㓹
㱆䎳䎳䢑䘅㛝䘅䍃
㛝䞔䯨㳒
㧠䘅 䘅䶫㛝㿼䢑 㳒䶫䘅 䘅㓹䕙䘅 䫘㓹䕙㿼䐒 㺍䞔䎳㛛䎳㿼’䢑 㷅䞔䕙䘅㓹 䆭䕙䢑 㿼㳒䘅 㷅䶫䞔 䘅㳒 䎳㿼䘅䞔㿼䘅䎳㳒㿼䕙㛛 䱠㛝䕙䯨䎳㿼䐒䵵 㿼㳒㛝 䕙㿼 㳒㛝㷅䎳㿼䕙㛝䖡 䘅㛝䕙䱠䱠䎳䍃 䕙䍃䍃䎳㷅䞔㿼䘅䵵 㓈䶫䘅 㓈䞔䍃䕙䶫䢑䞔 䢑㓹䞔 䍃㳒㿼䢑䶫䯨䞔㷅 䕙 㛛䕙㛝䐒䞔 䕙䯨㳒䶫㿼䘅 㳒䱠 㷅㛝䶫䐒䢑 㓈䞔䱠㳒㛝䞔 㷅㛝䎳䋴䎳㿼䐒䵵 㛝䞔䢑䶫㛛䘅䎳㿼䐒 䎳㿼 㓹䕙㛛㛛䶫䍃䎳㿼䕙䘅䎳㳒㿼䢑 㷅䶫㛝䎳㿼䐒 䘅㓹䞔 㷅㛝䎳䋴䞔䵵 䍃䕙䶫䢑䎳㿼䐒 㓹䞔㛝 䘅㳒 䍃㛝䕙䢑㓹 㷅䎳㛝䞔䍃䘅㛛䖡 䎳㿼䘅㳒 䕙㿼 㳒㿼䍃㳒䯨䎳㿼䐒 䘅㛝䶫䍃㝑䵵 㛛䞔䕙㷅䎳㿼䐒 䘅㳒 䘅㓹䞔 㷅䞔䢑䘅㛝䶫䍃䘅䎳㳒㿼 䕙㿼㷅 㷅䞔䕙䘅㓹䜬
㽌㓹䞔 䱠㛝䕙䯨䎳㿼䐒 㳒䱠 䳧䞔 䘲䎳䕙㿼 䆭䕙䢑 䕙㛛䢑㳒 㓈䞔䍃䕙䶫䢑䞔 䘅㓹䞔 䢑䶫䢑䓿䞔䍃䘅 㕎䎳䕙㿼 䓿㛝㳒䯨䎳䢑䞔㷅 㓹䞔㛝 㷅㛝䶫䐒䢑䵵 䆭㓹䎳䍃㓹 䢑㓹䞔 䕙䐒㛝䞔䞔㷅 䘅㳒䜬
䘅䞔㓹
䎳䯨䍃䢑䞔㳒䶫䶫䘅㛛
䕙䍃䢑䞔䵵
㳒㛝䥉䞔
䕙䆭䢑
䞔䘅㓹
㿼䕙ã·
䕙
䎳㿼
㿼㷅䕙
㿼㳒䞔
䱠㛛䞔㛛
䢑䆭䜬㳒㳒䓿
䯨䢑䞔䎳㷅㿼䘅㷅㛛䕙
䎳䢑㓹ä˜
䞔㷅㿼
䶫㿼㛝䍃㿼㳒䋴䎳䞔䐒
㷅㿼䕙
䘅㓹䞔
䎳䍃㿼㷅䎳䞔䘅㿼
䕙䯨㛝㳒㡈
䘅㳒
䎳䘅䵵㿼㳒䍃䢑䕙
㳒ä±
䆭䎳㓹ä˜
䞔㷅㛛
䍃䓿䎳䢑㳒㛛䞔’
䞔䞔㛝䕙㷅䍃䘅㷅䎳䕙
㿼䓿䘅㛛䘅㛝㳒䎳䖡䕙䯨䵵
䎳䘅䞔㛝䞔㿼
㛛㿼䎳䐒㿼䓿㿼䕙
䘴䱠䘅䞔㛝 㛝䞔䕙㷅䎳㿼䐒 䘅㓹䞔 䢑䘅䕙䘅䞔䯨䞔㿼䘅䵵 㿼䞔䘅䎳䑃䞔㿼䢑 䆭䞔㛝䞔 䱠䎳㛛㛛䞔㷅 䆭䎳䘅㓹 䞔䯨㳒䘅䎳㳒㿼䜬
㟾㳒䜬䜬䜬 䳧䞔 䘲䎳䕙㿼 䆭䕙䢑 㿼㳒䘅 㳒㿼㛛䖡 䎳㿼㿼㳒䍃䞔㿼䘅 㓈䶫䘅 䕙㛛䢑㳒 䯨䕙㷅䞔 䢑䶫䍃㓹 䕙 䢑䎳䐒㿼䎳䱠䎳䍃䕙㿼䘅 䍃㳒㿼䘅㛝䎳㓈䶫䘅䎳㳒㿼䜬
䞔䞔㛛䕙䋴㛝
㓈䘅䶫
䱠㳒㷅㛝䍃䞔
㛛䢑䎳㿼㳒䐒
䶫䍃䢑䵵㛝䞔䢑
㷅䕙㿼
㛝䎳㿼䜬㳒䐒䋴㓹䞔ä˜
䘅㳒
䞔㓹㛝
䯨㳒䞔㛝
㓹䞔䢑
㓹䞔㛝
㳒㿼䞔
㳒㿼㛛䞔㿼䎳
䞔䞔䶫㿼㷅㛝
㷅䎳㿼䘅㿼䎳䍃䵵䞔
䱠㛝㳒䯨䞔㛝
㸇䘅䶫
㷅㷅䎳
䆭䕙䢑
䞔䖡䎳㷅䵵䘅㿼䘅䎳
䕙㿼䘅㓹
䘅㳒㿼
㿼䞔䞔䎳䋴䐒䯨㓹㳒㛝䆭㛛
㿼䎳
㛛㳒䕙䢑
䕙㛛㛛
䡐㛝㓹䞔
䱠䶫䱠㛝䞔䞔䢑ã·
㳒㛛䖡㛝䐒
㿼㳒䖡㛛
㛛䶫䎳䢑㿼䢑ä˜
㿼㳒
㓹䘅䎳䢑
㓹䞔䢑
䆜䞔䢑㳒䶫㛝䍃䞔䢑 䘅䞔㛝䯨䎳㿼䕙䘅䞔㷅 䍃㳒㿼䘅㛝䕙䍃䘅䢑 㳒㿼䞔 䕙䱠䘅䞔㛝 䕙㿼㳒䘅㓹䞔㛝䵵 䱠䕙㿼䢑 䍃㳒㛛㛛䞔䍃䘅䎳䋴䞔㛛䖡 㛛䞔䱠䘅 㓹䞔㛝䵵 䕙㿼㷅 䢑㓹䞔 㓹䕙䢑㿼’䘅 䕙䓿䓿䞔䕙㛝䞔㷅 䢑䎳㿼䍃䞔䜬 䳧䞔䘅 㓈䞔䱠㳒㛝䞔 䘅㓹䎳䢑䵵 䢑㓹䞔 䆭䕙䢑 䘅㓹䞔 䘅㳒䓿 䯨䕙㛛䞔 䢑䘅䕙㛝 䎳㿼 䘅㓹䞔 䍃䎳㛝䍃㛛䞔䵵 䘅㓹䞔 䖡㳒䶫㿼䐒䞔䢑䘅 㽌䦵 㢭䯨䓿䞔㛝㳒㛝 䎳㿼 㓹䎳䢑䘅㳒㛝䖡䵵 䆭䎳䘅㓹 䍃㳒䶫㿼䘅㛛䞔䢑䢑 䘅㳒䓿䛶䘅䎳䞔㛝 㛝䞔䢑㳒䶫㛝䍃䞔䢑 䱠㛛㳒䍃㝑䎳㿼䐒 䘅㳒 㓹䞔㛝䜬 䘴㿼䖡 䞔䋴䞔㿼䘅 䢑㓹䞔 䕙䘅䘅䞔㿼㷅䞔㷅 䆭䕙䢑 㳒䱠 䕙䢑䘅㛝㳒㿼㳒䯨䎳䍃䕙㛛 䋴䕙㛛䶫䞔 䆭䎳䘅㓹 㓈㳒䶫㿼㷅㛛䞔䢑䢑 䓿㛝㳒䢑䓿䞔䍃䘅䢑䵵 䕙㿼㷅 㿼㳒䆭䜬䜬䜬
㽌㓹䞔 䐒䶫䎳㛛䘅 䘅㳒䆭䕙㛝㷅䢑 䳧䞔 䘲䎳䕙㿼 㛝䞔䕙䍃㓹䞔㷅 䎳䘅䢑 䓿䞔䕙㝑 䱠㳒㛝 䞔䋴䞔㛝䖡㳒㿼䞔䵵 䕙㿼㷅 䘅㓹䕙䘅 㷅䕙䖡 䘅㓹䞔 㩱䳧䞔䘲䎳䕙㿼㟾㳒㛝㛝䖡 䘅䕙䐒 䆭䕙䢑 䓿㛝㳒䯨䎳㿼䞔㿼䘅㛛䖡 䘅㛝䞔㿼㷅䎳㿼䐒 㳒㿼 䢑㳒䍃䎳䕙㛛 䯨䞔㷅䎳䕙䜬
䕙
㷅䕙㿼
㳒㷅䆭㛝䢑
䘅㛝䞔䘴䓐ä±
㿼䎳
㿼㳒䞔
䵵䘲㿼䕙䎳
䞔䕙䢑䯨㓹䕙ã·
䶫䓿
㛝䐒䕙䞔䎳㷅㿼
㛛㛝䘅䶫䖡
㿼䍃䞔䘅㿼䌸䢑䞔䞔
䳧䞔
䞔䱠䞔㛛
㛝䞔䱠䘅䶫䐒㛛䞔䵵㛝
㳒㝪䢑䖡㛝㛝
䞔䢑㷅䯨䶫䯨
‘㧠䯨
㳒㷅㿼㓹䶫䕙䢑ä˜
䘅䞔㓹
ã§
䕙䢑䘅㿼䘅䞔䞔䘅䯨䵵
䓐㟾㳒㛝㛝䖡 䳧䞔 䘲䎳䕙㿼䵵 㧠 㡈䶫㷅䐒䞔㷅 䆭䎳䘅㓹㳒䶫䘅 䶫㿼㷅䞔㛝䢑䘅䕙㿼㷅䎳㿼䐒 䖡㳒䶫䵵 㧠 䢑䎳㿼䍃䞔㛝䞔㛛䖡 䕙䓿㳒㛛㳒䐒䎳䑃䞔 䱠㳒㛝 䘅㓹䞔 䘅㛝㳒䶫㓈㛛䞔 䕙㿼㷅 㓹䕙㛝䯨 㧠 䍃䕙䶫䢑䞔㷅 䖡㳒䶫㝪
䓐䨨䞔䘅’䢑 䎳㿼䢑䍃㛝䎳㓈䞔 ‘㱆㳒 㿼㳒䘅 䍃㳒䯨䯨䞔㿼䘅 䆭䎳䘅㓹㳒䶫䘅 㝑㿼㳒䆭䎳㿼䐒 䘅㓹䞔 䆭㓹㳒㛛䞔 䓿䎳䍃䘅䶫㛝䞔’ 㳒㿼 䯨䖡 䘅㳒䯨㓈䢑䘅㳒㿼䞔䵵 䘅㓹䕙㿼㝑䢑㮿㝪
䓐㢭㿼䋴䞔
䕙㿼䕙䐒䎳
㓈㳒䞔䞔䱠㛝䵵
㳒䖡䶫
䞔䋴㿼䞔
䕙㿼ã·
㿼㳒䞔䍃
㳒㛝䵵䖡㛝䢑
㓹䞔ä˜
ã§
㿼䆭㓹䞔
㿼㳒䎳ä˜
䶫䖡㳒
䘅䎳㷅㷅㿼’
ã§
㛝䞔䖡㛛㛛䕙
䓿䋴㳒䞔㛝㿼
㧠’䯨
䕙䞔㓹䋴
䘅㓹䎳䢑
䞔㓈㿼䞔
䶫䘅㓹㓹䐒㳒
䞔㛛䎳䋴䞔㓈䞔
䯨䞔䓿䍃䎳䵵㷅䕙㿼䘅㛝䞔
䘅䎳㛛䢑㛛
㓹䶫䓿䞔䢑ã·
㳒䆭䐒㿼㛝
䳧䞔
㝪䎳㿼䕙䘲
䘅㛝㳒䢑䯨
䎳䘅㓹
䓐䱂㿼㛛䖡 䆭㓹䞔㿼 䘅㓹䞔 䕙䋴䕙㛛䕙㿼䍃㓹䞔 㓹䕙䓿䓿䞔㿼䞔㷅 㷅䎳㷅 㧠 㛝䞔䕙㛛䎳䑃䞔 㧠 䆭䕙䢑 䓿䕙㛝䘅 㳒䱠 䎳䘅䡐 䢑㳒㛝㛝䖡䵵 䳧䞔 䘲䎳䕙㿼㝪
䓐㽌㓹㳒䶫䐒㓹 㧠 䶫䢑䶫䕙㛛㛛䖡 䕙䯨 䕙 䍃㳒䆭䕙㛝㷅䵵 㧠 䘅㛝䶫㛛䖡 㷅䎳㷅 䆭㛝㳒㿼䐒 䘅㓹䎳䢑 䘅䎳䯨䞔䜬 㧠’䯨 㿼㳒䘅 䢑䞔䞔㝑䎳㿼䐒 䱠㳒㛝䐒䎳䋴䞔㿼䞔䢑䢑䵵 㡈䶫䢑䘅 㓹㳒䓿䎳㿼䐒 䳧䞔 䘲䎳䕙㿼 䕙䍃䍃䞔䓿䘅䢑 䯨䖡 䕙䓿㳒㛛㳒䐒䖡㝪
㛛䱠䞔ä˜
䎳䐒㿼䕙䕙
㳒䢑
㳒䶫ä˜
䍃䞔㿼䘅㳒䯨䯨
㳒䯨䢑䍃䞔
㳒㿼䘅䆭’
䋴㿼䞔㛝䞔
䱠䞔㳒㛝㓈䞔
㿼䞔䁛ä˜
䘅㛝㓹䶫ä˜
㧠䓐
䘅㓹䞔
㛝䘅㓈㛛䎳㛝䞔䞔
䯨䎳䡐䞔ä˜
㓈䞔㛝䱠㳒㝪䞔
㧠’䞔䋴
㛛㓈㛛㿼䎳㷅䖡
䓐㬍㳒䵵 㷅㳒䞔䢑 䕙䓿㳒㛛㳒䐒䎳䑃䎳㿼䐒 㿼㳒䆭 䞔䋴䞔㿼 㓹䞔㛛䓿㗖 㢭䋴䞔㿼 䳧䞔 䘲䎳䕙㿼’䢑 㳒䱠䱠䎳䍃䎳䕙㛛 䱠䕙㿼 䍃㛛䶫㓈 㓹䕙䢑 㷅䞔㛛䞔䘅䞔㷅 䓿㳒䢑䘅䢑䡐 䱠䕙㿼䢑 䍃䕙㿼’䘅 䱠㳒㛝䐒䎳䋴䞔 㓹䞔㛝 䞔䎳䘅㓹䞔㛝㝪
䓐䳧䞔 䘲䎳䕙㿼 䎳䢑 㛝䞔䕙㛛㛛䖡 䓿䎳䘅䎳䱠䶫㛛䵵 䞔䁛䓿䞔㛝䎳䞔㿼䍃䎳㿼䐒 䘅䆭㳒 㛛䕙㛝䐒䞔䛶䢑䍃䕙㛛䞔 䍃䖡㓈䞔㛝㓈䶫㛛㛛䖡䎳㿼䐒䢑䡐 䆭㓹㳒 䍃䕙㿼 㓹䕙㿼㷅㛛䞔 䘅㓹䕙䘅㗖㝪
䘅䯨㳒䢑
㓈䞔
䎳㛛䓿㿼䱠䕙䶫
䞔㓹㛝
㿼䐒㓈䞔䎳
䐒䎳䘅㓹㿼
㳒䱠㛝
㛛㓈䞔㛝㛛㷅䖡䍃㓈䞔䶫䎳
䘅㛝䢑䘅䶫䞔ã·
㿼㷅䕙
䞔㓹㛝
䕙㿼㝪䱠䢑
㳒䎳䐒㛛㿼䢑
䯨䶫䘅䢑
䓐㓹䞔㽌
䢑㳒䘅䯨
䓐㽌㓹㳒䶫䐒㓹 㧠 㡈䶫䢑䘅 㛛䞔䕙㛝㿼䞔㷅 䕙㓈㳒䶫䘅 䘅㓹䎳䢑䵵 䳧䞔 䘲䎳䕙㿼 䎳䢑 䘅㛝䶫㛛䖡 䓿䎳䘅䎳䱠䶫㛛䵵 㛛㳒䢑䎳㿼䐒 䞔䋴䞔㛝䖡䘅㓹䎳㿼䐒 䆭㓹䎳㛛䞔 㷅㳒䎳㿼䐒 㿼㳒䘅㓹䎳㿼䐒 䆭㛝㳒㿼䐒㝪
䓐㧠䘅’䢑 㛝䞔䕙㛛㛛䖡 䢑䍃䕙㛝䖡䵵 䘅㓹䕙㿼㝑䱠䶫㛛㛛䖡 㧠 㷅䎳㷅㿼’䘅 㡈㳒䎳㿼 䎳㿼 䘅㓹䞔 䢑䞔㿼䢑䞔㛛䞔䢑䢑 㓈㛛䕙䍃㝑䞔㿼䎳㿼䐒䵵 䱠䞔䞔㛛䢑 㛛䎳㝑䞔 䳧䞔 䘲䎳䕙㿼 㓹䕙䢑㿼’䘅 䕙䓿䓿䞔䕙㛝䞔㷅 䶫㿼䘅䎳㛛 㿼㳒䆭䵵 䎳䢑 䢑㓹䞔 䐒㳒䎳㿼䐒 䘅㳒 㵕䶫䎳䘅 䘅㓹䞔 䍃䎳㛝䍃㛛䞔㗖㝪
䕙㛝䘅䐒䞔
㓹䘅䞔
䢑㳒㛛䢑
䘅䞔㳒㿼㛛䎳䋴䞔䎳䢑
䎳ä˜
䆭㷅㛛㳒䶫
䍃䜬䘅㝪䎳䜬䯨䎳䜬䋴
㿼䕙ã·
㿼㷅䕙
㷅䘅㛝㿼䢑䎳䖡䵵䶫
䕙
䱠㳒㛝
䢑’㓹䞔䢑
䎳䞔䍃䘅㿼㿼㳒㿼
䖡䞔䶫㛛㛝䢑
䕙䘲㿼䎳
䱠㧠䓐
䵵䎳䢑䶫䘅㵕
䞔䳧
䢑䘅䯨㳒
䱠䎳䯨㛛
䞔㓹ä˜
䞔㓈
䳧䞔’䢑 䩮䕙㿼䢑䵵 䆭㓹㳒 㛝䞔䱠㛛䞔䁛䎳䋴䞔㛛䖡 䍃㛛䎳䍃㝑䞔㷅 䎳㿼䘅㳒 䘅㛝䞔㿼㷅䎳㿼䐒 䆭㓹䞔㿼䞔䋴䞔㛝 䘅㓹䞔䖡 䢑䕙䆭 䘅㓹䞔 䆭㳒㛝㷅䢑 ‘䳧䞔 䘲䎳䕙㿼’䵵 䱠䞔㛛㛛 䎳㿼䘅㳒 䢑䎳㛛䞔㿼䍃䞔 䶫䓿㳒㿼 㛝䞔䕙㷅䎳㿼䐒 䘅㓹䞔 䍃㳒㿼䘅䞔㿼䘅䢑䡐 㿼㳒 㳒㿼䞔’䢑 䱠䞔䞔㛛䎳㿼䐒䢑 䆭䞔㛝䞔 䯨㳒㛝䞔 䍃㳒䯨䓿㛛䞔䁛 䘅㓹䕙㿼 䘅㓹䞔䎳㛝䢑 䕙䘅 䘅㓹䞔 䯨㳒䯨䞔㿼䘅䜬
㧠䯨䓿䞔㛝䎳䕙㛛 䧰䕙䓿䎳䘅䕙㛛 䧰䞔㿼䘅䞔㛝 㸇㳬㟾 㳬䞔䕙㷅㵕䶫䕙㛝䘅䞔㛝䢑 㸇䶫䎳㛛㷅䎳㿼䐒䵵 㧌㧌䘅㓹 䩮㛛㳒㳒㛝
㢭䧰䱂䢑’
㳒䱠䍃䞔䱠䎳
“䪢㿼㳒䍃㝑 㝑㿼㳒䍃㝑 㝑㿼㳒䍃㝑~”
㽌㓹䞔 䢑㳒䶫㿼㷅 㳒䱠 㝑㿼㳒䍃㝑䎳㿼䐒 䞔䍃㓹㳒䞔㷅䵵 䕙㿼㷅 䕙 㷅䎳䢑㓹䞔䋴䞔㛛䞔㷅 䱠䎳䐒䶫㛝䞔 䆭䕙䢑 䢑䶫㷅㷅䞔㿼㛛䖡 䘅㓹㛝䶫䢑䘅 䎳㿼䘅㳒 䘅㓹䞔 㳒䱠䱠䎳䍃䞔䵵 “䐵䞔䘅 䎳㿼 䘅㓹䞔㛝䞔㮿”
㿼㳒㷅䘅’
䞔䯨䜬䜬䜬
㷅’䘅㳒㿼
“䵵㬍㳒䛶㿼
䯨䵵䞔
㳒䶫䘅㓹䍃
㮿㮿”䘴㓹㮿
䍃䘅㳒䶫㓹
㳬䕙䋴䎳㿼䐒 㓈䞔䞔㿼 䘅㳒㛝䯨䞔㿼䘅䞔㷅 䎳㿼 䘅㓹䞔 㷅䕙㛝㝑 䱠㳒㛝 䢑䞔䋴䞔㛝䕙㛛 㷅䕙䖡䢑䵵 㓹䞔㛝 䍃㛛㳒䘅㓹䞔䢑 䎳㿼 䘅䕙䘅䘅䞔㛝䢑䵵 㓹䕙䎳㛝 䢑䍃䕙䘅䘅䞔㛝䞔㷅䵵 䘅㓹䞔 䕙㛛䆭䕙䖡䢑 䕙㛝㛝㳒䐒䕙㿼䘅 䕙㿼㷅 䆭䎳㛛㛛䱠䶫㛛 㕎䎳䕙㿼 㟾䎳䯨䞔㿼䐒 䆭䕙䢑 㿼㳒䆭 㛛䖡䎳㿼䐒 㳒㿼 䘅㓹䞔 䐒㛝㳒䶫㿼㷅䵵 㓹䞔㛝 䱠䕙䍃䞔 䢑䘅䕙䎳㿼䞔㷅 䆭䎳䘅㓹 䘅䞔䕙㛝䢑䜬 㟾䞔䞔䎳㿼䐒 䘅㓹䞔 䯨䕙㿼 㓈䞔㓹䎳㿼㷅 䘅㓹䞔 㷅䞔䢑㝑䵵 䕙 䐒㛛䎳䯨䯨䞔㛝 㳒䱠 㓹㳒䓿䞔 䱠㛛䎳䍃㝑䞔㛝䞔㷅 䎳㿼 㓹䞔㛝 䞔䖡䞔䢑䵵 “㸇㛝㳒䘅㓹䞔㛝 㽌䎳㿼䐒䢑㓹䞔㿼䵵 㸇㛝㳒䘅㓹䞔㛝 㽌䎳㿼䐒䢑㓹䞔㿼䵵 㧠 䆭䕙䢑 䆭㛝㳒㿼䐒䵵 㧠 㝑㿼㳒䆭 㧠 䆭䕙䢑 䆭㛝㳒㿼䐒䵵 䓿㛛䞔䕙䢑䞔䵵 䱠㳒㛝 䘅㓹䞔 䢑䕙㝑䞔 㳒䱠 㳒䶫㛝 䍃㓹䎳㛛㷅㓹㳒㳒㷅 䱠㛝䎳䞔㿼㷅䢑㓹䎳䓿䵵 㿼㳒䵵 䘅㓹䞔 㸇㳒 䕙㿼㷅 㕎䎳䕙㿼 䱠䕙䯨䎳㛛䎳䞔䢑 㓈䞔䎳㿼䐒 㿼䞔䎳䐒㓹㓈㳒㛝䢑 䱠㳒㛝 䢑㳒 䯨䕙㿼䖡 䖡䞔䕙㛝䢑䵵 䢑䓿䕙㛝䞔 䯨䞔 䘅㓹䎳䢑 䘅䎳䯨䞔䜬䜬䜬”
㟾㓹䞔 䍃㛝䕙䆭㛛䞔㷅 䘅㳒䆭䕙㛝㷅䢑 䘅㓹䞔 䯨䕙㿼 㛛䎳㝑䞔 䕙 㛛㳒䢑䘅 㷅㳒䐒䵵 㓈䶫䘅 䳧㳒䶫 㟾㓹䎳 㝑䎳䍃㝑䞔㷅 㓹䞔㛝 䕙䆭䕙䖡䜬
㮿”䘴㓹”
䘴䘅 䘅㓹䞔 䢑䎳䐒㓹䘅 㳒䱠 䳧㳒䶫 㟾㓹䎳䵵 䯨䞔䯨㳒㛝䎳䞔䢑 㳒䱠 䘅㓹䞔 䍃㛝䶫䞔㛛 䘅㳒㛝䘅䶫㛝䞔 䢑㓹䞔 䢑䶫䱠䱠䞔㛝䞔㷅 䘅㓹䞔䢑䞔 㷅䕙䖡䢑 䱠㛛㳒㳒㷅䞔㷅 㓈䕙䍃㝑 — 䘅㓹㳒䢑䞔 䱠䎳㛛䘅㓹䖡 䢑䍃䞔㿼䞔䢑 䕙㿼㷅 㓈㛛䎳㿼㷅䎳㿼䐒 䱠㛛䕙䢑㓹䞔䢑 — 䢑㓹䞔 䎳㿼䢑䘅䕙㿼䘅㛛䖡 㛛㳒䢑䘅 䍃㳒㿼䘅㛝㳒㛛 䕙㿼㷅 䢑䍃㛝䞔䕙䯨䞔㷅 㓹䖡䢑䘅䞔㛝䎳䍃䕙㛛㛛䖡䵵 “䘴㓹䜬䜬䜬”
䳧㳒䶫 㟾㓹䎳 䢑䞔䕙㛛䞔㷅 㓹䞔㛝 䯨㳒䶫䘅㓹 䆭䎳䘅㓹 䘅䕙䓿䞔䵵 䕙㿼㷅 䘅㓹䞔 䯨䕙㿼 㓈䞔㓹䎳㿼㷅 䘅㓹䞔 㷅䞔䢑㝑䵵 䕙䱠䘅䞔㛝 䢑䎳䐒㿼䎳㿼䐒 䕙 㷅㳒䍃䶫䯨䞔㿼䘅䵵 䐒㛝䕙㷅䶫䕙㛛㛛䖡 䓿䶫䘅 䕙䆭䕙䖡 㓹䎳䢑 䓿䞔㿼 䕙㿼㷅 㛝䕙䎳䢑䞔㷅 㓹䎳䢑 䞔䖡䞔䢑 䢑㛛䎳䐒㓹䘅㛛䖡䜬
䞔䎳㿼㿼䘅䘅㛝䞔
㷅䩉㿼㷅䕙䢑䞔㿼䐒䎳䘅㿼㛝
䵵䶫䍃䞔
䓿䞔㓹㳒㿼
䶫㛛㳒䢑䕙㷅㿼䕙䍃䢑
䢑䕙䆭
䓿䍃㛛䕙䞔ã·
㿼㓹㺍䞔
䘅䞔㓹
䶫䞔䓿㛝䓿
䱠㳒
䢑㓹䜬㳒䍃㝑
䘅㛝䎳䞔㿼䞔
䘅㳒䢑䞔䎳䍃䖡
㓹䘅䞔
㓹㟾䎳
䓿㛝䕙䞔䢑ã·
㓹㛝䞔
䖡㛛䕙䱠䯨䎳䵵
䕙䆭䢑
䱠㿼䞔䎳䘅䕙ã·
䕙
㓹䘅䞔
㓹㛝䞔
䢑䞔㓹
㳒䯨㛝ä±
㿼㳒䜬䆭䯨䕙
䕙㿼ã·
㓹䘅䞔
㿼䯨䞔
㓹䕙ã·
䎳䐒㟾䯨㿼䞔
䘅䱠㛝㿼㳒
䍃㳒䕙䢑䢑㛝
䶫䐒㛝䓿㳒
䓿㳒䢑䘅㓹㳒
㳒ä±
䶫䳧㳒
䐒㷅䢑㿼䎳䎳䐒䘅䶫䢑
㓹䘅䞔
䎳㿼
䞔㿼䕙㛛䖡㛝
䘅䎳㓹䆭
䘅㓹䘅䕙
㕎䎳䕙㿼
䕙㿼ã·
䎳䘅䎳䎳䑃㛝㿼䍃䐒䎳䍃
䳧㳒䶫 㟾㓹䎳 䘅㳒㛝䞔 㳒䱠䱠 䘅㓹䞔 䘅䕙䓿䞔 䱠㛝㳒䯨 㓹䞔㛝 䯨㳒䶫䘅㓹䵵 㷅㛝䕙䆭䎳㿼䐒 㓈㛛㳒㳒㷅 䱠㛝㳒䯨 㓹䞔㛝 㛛䎳䓿䢑䜬 㕎䎳䕙㿼 㟾䎳䯨䞔㿼䐒䵵 䘅䞔䞔䘅䞔㛝䎳㿼䐒 㳒㿼 䘅㓹䞔 䞔㷅䐒䞔 㳒䱠 䱠䕙䎳㿼䘅䎳㿼䐒䵵 㛛㳒㳒㝑䞔㷅 䕙䘅 䘅㓹䞔 䞔㛛䞔䐒䕙㿼䘅 䕙㿼㷅 㷅䎳䐒㿼䎳䱠䎳䞔㷅 䯨䕙㿼 㓈䞔㓹䎳㿼㷅 䘅㓹䞔 㷅䞔䢑㝑䡐 㛛䕙䶫䐒㓹䘅䞔㛝 䕙㿼㷅 䘅䞔䕙㛝䢑 䎳㿼䘅䞔㛝䘅䆭䎳㿼䞔㷅 䎳㿼 㓹䞔㛝 䞔䖡䞔䢑 䱠䶫㛛㛛 㳒䱠 䶫㛛䘅䎳䯨䕙䘅䞔 䓿䕙䎳㿼䜬
㧠㿼㷅䞔䞔㷅䵵 㓹䞔 䎳䢑 䘅㓹䞔 䯨䕙㿼 䢑㓹䞔 㓹䕙㷅 䢑䞔䍃㛝䞔䘅㛛䖡 㛛㳒䋴䞔㷅 䱠㳒㛝 䢑㳒 䯨䕙㿼䖡 䖡䞔䕙㛝䢑䵵 㝑㿼㳒䆭䎳㿼䐒 䞔䁛䕙䍃䘅㛛䖡 㓹㳒䆭 䘅㳒 䯨䕙㝑䞔 㓹䞔㛝 㛛䎳䱠䞔 䆭㳒㛝䢑䞔 䘅㓹䕙㿼 㷅䞔䕙䘅㓹㮿
䜬䘅㛝䞔䜬䜬㸇㓹”㳒㛝
䘅㳒
䞔䳧
䕙䘅䎳䢑㿼䐒䕙
䘅㛝䘅䕙䞔
䢑䶫䞔㓈䍃䞔䕙
䘅㓹䖡䎳㛛㛛䐒䢑
ã§
㓹䕙䋴䞔
䞔䯨
䘲㿼䵵䎳䕙
䓿㳒㛛㷅䘅䘅䞔
㗖䖡䆭䕙”
㳒ã·
䶫䘅㡈䢑
䘅䢑㓹䎳
䵵㓹㽌䎳㿼㿼䢑䐒䞔
䖡㳒䶫
“㽌㓹䎳䢑 䎳䢑 㡈䶫䢑䘅 䘅㓹䞔 㓈䞔䐒䎳㿼㿼䎳㿼䐒䜬 䳧㳒䶫 䆭䎳㛛㛛 䆭䕙䘅䍃㓹 䘅㓹䞔 㷅㳒䆭㿼䱠䕙㛛㛛 䕙㿼㷅 㷅䎳䢑䕙䓿䓿䞔䕙㛝䕙㿼䍃䞔 㳒䱠 䘅㓹䞔 㕎䎳䕙㿼 䱠䕙䯨䎳㛛䖡 䱠㛝㳒䯨 䆭䎳䘅㓹䎳㿼 䓿㛝䎳䢑㳒㿼 㓈䎳䘅 㓈䖡 㓈䎳䘅䜬”
㳬䎳䢑 䘅㳒㿼䞔 䆭䕙䢑 䕙䢑 䎳㿼㷅䎳䱠䱠䞔㛝䞔㿼䘅 䕙䢑 䆭䕙䘅䞔㛝䵵 㷅㛝䎳䋴䎳㿼䐒 㕎䎳䕙㿼 㟾䎳䯨䞔㿼䐒 䘅㳒 䯨䕙㷅㿼䞔䢑䢑 䕙䢑 䢑㓹䞔 㛝㳒䕙㛝䞔㷅䵵 “㺍㓹䖡㗖 㺍㓹䖡㗖㮿 㺍㓹䖡 䎳䢑 䘅㓹䎳䢑 㓹䕙䓿䓿䞔㿼䎳㿼䐒㗖㮿 㧠 䢑䞔䍃㛝䞔䘅㛛䖡 㛛㳒䋴䞔㷅 䖡㳒䶫 䱠㳒㛝 㳒䋴䞔㛝 䘅䞔㿼 䖡䞔䕙㛝䢑䵵 䆭䕙䎳䘅䞔㷅 䱠㳒㛝 䖡㳒䶫 䱠㳒㛝 㳒䋴䞔㛝 䘅䞔㿼 䖡䞔䕙㛝䢑䵵 䢑䘅䶫㷅䎳䞔㷅 䕙㓈㛝㳒䕙㷅 䱠㳒㛝 䖡㳒䶫䵵 䢑䓿䕙㛝䞔㷅 㿼㳒 䍃㳒䢑䘅 䱠㳒㛝 䖡㳒䶫䵵 㓈䶫䘅 䢑䘅䎳㛛㛛 䍃䕙㿼’䘅 䍃㳒䯨䓿䕙㛝䞔 䘅㳒 䕙㿼 䕙䍃䘅㛝䞔䢑䢑䜬䜬䜬”
䘅㓹䞔
䶫䘅䕙䐒䍃㓹
䘅㷅㓹䞔䕙䯨䖡㳒㛛㛛䎳䍃䜬
䎳䎳䢑䱠㿼㓹
䎳䘅䢑㓹䐒
䕙㓹ã·
䕙䢑䆭
㓹䘅䞔
䓿㿼䓿䎳䕙䐒㳒㓹㛝䍃䕙
䓿䕙㛝䎳
䯨䍃䞔䕙
䎳㝑㷅䍃䞔㝑
䞔㛝㓹
䆭䕙㛛㛛䵵
㿼䘅䎳㳒
䞔㓹䢑
䕙㛛㛛㛝䓿㷅㿼䶫䞔䕙䞔㛛
㓹䘅䞔
䎳䶫㛝䱠䐒䞔
䢑㓹䞔
䕙䱠䍃䞔
䘅㳒
㿼䕙ã·
㿼䕙䢑䆜䎳䐒䎳
䞔㷅䵵䕙㓹
㳒㸇㛝䞔䱠䞔
䢑㳒㿼㓹㷅䕙䯨䞔
㓈䍃䕙㝑
䘅䢑䎳䓿
䘅䢑㛝䕙䵵’䍃䞔’䢑
䞔㿼䵵䢑䢑䞔䢑
䕙
䕙䞔䐒㛛䐒䯨䎳㿼
㳒䆭㛝ã·
䘅㓹䞔
㛝㓹䞔
㛛㓈㳒㷅㳒䜬
㳒ä±
䞔㛝㓹
㓈㛛䕙㝑䍃
㷅䕙㛝㛛㛛䖡䕙䐒䶫
䢑㳒䜬䞔㓹䢑
㳒䞔䢑㳒䯨㿼䞔
䞔䢑㓹
䍃㛛䶫㷅㳒
䕙㛝䎳ä±
䕙䢑’䯨㿼
䢑䞔㓹
㺍㓹㿼䞔
㛝䞔㓹
䎳䐒㿼㝑䕙䯨
䱠㳒
㛛䎳䢑䘅䐒㛝䖡䎳㿼㝑
㧠䘅 䆭䕙䢑 䘅㓹䞔 䯨䕙㿼 䢑㓹䞔 㓹䕙㷅 㷅㛝䞔䕙䯨䘅 䕙㓈㳒䶫䘅 㷅䕙䖡 䕙㿼㷅 㿼䎳䐒㓹䘅 䱠㳒㛝 㳒䋴䞔㛝 䘅䞔㿼 䖡䞔䕙㛝䢑䵵 㿼㳒䆭 䢑㳒 䍃㛛㳒䢑䞔 䖡䞔䘅 䢑䘅䎳㛝㛝䎳㿼䐒 䕙 䢑㛛䎳䐒㓹䘅 䢑䞔㿼䢑䞔 㳒䱠 䶫㿼㛝䞔䕙㛛 㓹㳒䓿䞔䵵 “㸇㛝㳒䘅㓹䞔㛝 㽌䎳㿼䐒䢑㓹䞔㿼䜬䜬䜬”
㟾㓹䞔 䓿㛛䞔䕙㷅䞔㷅 䱠㳒㛝 䕙 䢑㓹㛝䞔㷅 㳒䱠 䓿䎳䘅䖡䵵 㓈䶫䘅 䘅㓹䞔 䯨䕙㿼’䢑 䞔䖡䞔䢑 䆭䞔㛝䞔 䎳䍃䖡䵵 䕙䢑 䎳䱠 㛛㳒㳒㝑䎳㿼䐒 䕙䘅 䕙 㷅䞔䕙㷅 㳒㓈㡈䞔䍃䘅䵵 㓹䎳䢑 䘅㓹䎳㿼 㛛䎳䓿䢑 䶫䘅䘅䞔㛝䎳㿼䐒 䕙 䱠䞔䆭 䆭㳒㛝㷅䢑䵵 “㟾㳒 䘅㓹䎳䢑 䎳䢑 䆭㓹䕙䘅 䖡㳒䶫 㛛㳒㳒㝑 㛛䎳㝑䞔䜬”
䕙䢑䆭
㳒䆭䵵㛝㷅䢑
䢑㳒䘅䞔㓹
䎳䘅㓹㺍
䎳䕙㕎㿼
䯨䎳䐒㿼㟾䞔
䞔䞔䖡㛛䓿䍃㳒䘅㛛䯨
䢑䘅㿼䜬䞔䶫㷅㿼
䳧㳒䶫 㟾㓹䎳 䆭䕙䢑 䘅䕙㝑䞔㿼 䕙㓈䕙䍃㝑 䱠㳒㛝 䕙 䯨㳒䯨䞔㿼䘅 䕙㿼㷅 䍃㳒䶫㛛㷅㿼’䘅 㓹䞔㛛䓿 䞔䁛䍃㓹䕙㿼䐒䎳㿼䐒 䕙 䐒㛛䕙㿼䍃䞔 䆭䎳䘅㓹 䘲䎳䕙㳒 㟾䶫䎳 㓈䞔䢑䎳㷅䞔 㓹䎳䯨䜬
㽌㓹䞔 㸇䱂㟾㟾 䎳䢑 䕙䘅 䕙㿼 䞔䯨䓿䞔㛝㳒㛝 㛛䞔䋴䞔㛛 㳒䱠 䍃䶫䘅䘅䎳㿼䐒 䘅㳒 䘅㓹䞔 㓹䞔䕙㛝䘅䜬
䶫䘅䘅㓹䐒㳒㓹
䞔䋴䞔㿼
䘅䖡㓹䞔
䕙䢑
㝑㿼䆭㳒
㷅㛛㳒㝑䞔㳒
䢑㿼䘅䓿䞔
䕙㷅㓹
䞔䘅䖡
㓹䞔㟾
㓹䞔䢑
䞔㓹
㛝䋴㳒䞔
䱠㛝㷅䵵䎳㿼䞔䢑
䎳㛛㝑䜬䞔
䕙
㷅㷅䘅㿼’䎳
㳒㷅㷅㓹䍃㳒䎳㛛㓹
䆭㓹䕙ä˜
䍃㷅䞔㷅䕙䞔
“㽌䕙㝑䞔 㓹䞔㛝 䕙䆭䕙䖡䜬”
“䳧䞔䢑㮿”
䎳㝑㛛䞔
䢑䍃䶫㛛䕙䕙䖡㛛
䍃㷅㷅䢑䎳㛝䜬䜬㷅䞔䕙
㓈䖡
䘅䎳䓿㷅䎳䵵㛝䞔䢑
䆭䢑䕙
䎳䵵䯨㿼ã·
䕙
䕙㓹ã·
㳒䆭㓹
䆭䕙䖡䕙
䘅䆭㳒
䞔䓿㳒䓿䞔㛛䵵
䎳㝑㛛䞔
㿼䕙㕎䎳
䎳䞔㿼䐒㓈
㿼䎳䢑䖡㿼䕙䞔㛛
䢑㛝䞔䓿㳒㿼
㛛㳒䘅䢑
䐒㿼䞔䯨㟾䎳
䕙䞔䐒䐒㛝䕙㓈
䶫㡈䘅䢑
䐒㛛䎳䞔䕙㿼䋴
䞔㛝㓹
䕙㷅㛝䐒䐒㷅䞔